Elizabeth Godfrey, also known as Eliza Godfrey and Elizabeth Buteux (active c. 1720–1766), was an English gold- and silversmith. She has been called "the most outstanding woman goldsmith of her generation."[1]
Elizabeth Godfrey | |
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Nationality | English |
Occupation(s) | Gold- and silversmith |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Elizabeth_Godfrey_%28goldsmith%29_-_Trade_card_-_BM_Heal%2C67.168.jpg/220px-Elizabeth_Godfrey_%28goldsmith%29_-_Trade_card_-_BM_Heal%2C67.168.jpg)
The daughter of Simon Pantin, a renowned silversmith himself, Godfrey was born in London and is believed to have been trained in her father's workshop.[2] Despite obvious success as an artist in her own right, her work has been largely periodised by her marriages to men. Godfrey married twice, both times to silversmiths with whom she shared her business in London. In 1720 she wed Abraham Buteux. After his death eleven years later, Godfrey began to run the firm on her own. She later married Benjamin Godfrey, who is believed to have been in her employ.[3] He died in 1741, at which point she again began to head the business by herself, a period in which her firm's skill at producing increasingly popular Rococo aesthetics garnered loyal clientele. Until recently, Godfrey was thought to have been active until 1758.[2] However, recent research has revealed that she was active until at least 1766.[4] This was a period when many women traders were active in London, and the luxury trades were a sector in which they were particularly successful.[5] Godfrey was, for instance, a contemporary of Hester Bateman.
Her works were known for their high quality and sophisticated style. Godfrey described herself on trade cards as "Goldsmith, Silversmith, and Jeweller, [who] makes and sells all sorts of plates, jewels, and watches, in the newest taste at the most reasonable rates."[1][6] Her patrons included a number of nobles and their families— notably the Duke of Cumberland. Her work was influenced by French Huguenot traditions of silversmithing.
Gallery
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Inkstand
References
edit- ^ a b "Antiques Today". SAADA Newsletter. 1 September 2011.
- ^ a b "Elizabeth Godfrey active ca. 1720–1758". National Museum of Women in the Arts. Retrieved 13 September 2015.
- ^ Glanville, Philippa; Goldsborough, Jennifer Faulds (1990). Women silversmiths : 1685-1845 : works from the collection of The National Museum of Women in the Arts Washington, D.C.; [exhibition]. London: Thames and Hudson. pp. 20–21. ISBN 0500235783.
- ^ Skerry, Janine E. (2018). "Beyond the working dates: reconstructing the life and career of Elizabeth Pantin Buteux Godfrey". Silver Studies. The Journal of the Silver Society. 34: 75–88.
- ^ "City Women in the 18th Century | 21 September - 18 October 2019". citywomen.hist.cam.ac.uk. Retrieved 12 October 2021.
- ^ "Elizabeth Godfrey (Biographical details)". The British Museum. Retrieved 14 September 2015.