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| Submission declined on 9 June 2024 by Timtrent (talk). You have failed to write an article, especially the paragraph starting "Paul Clift's works have been programmed" which is a list of venues.
Please actually write about Clift. This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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Paul Clift (born 21 March 1978) is an Australian composer of contemporary classical music.
Biography
editBorn in Melbourne, Australia, Paul Clift began his musical education with studies of piano.[1] Upon graduating with a Bachelor's degree in music composition and linguistics from Monash University, he moved to Paris, where he undertook further study of composition with Franck Bedrossian, Jean-Luc Hervé and Philippe Leroux.[1] In 2006, he moved to London, where he studied with George Benjamin at King's College. The following year, he returned to Paris to participate in the IRCAM Cursus de composition et d'informatique musicale,[2]
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[1] culminating in the premiere at the 2009 Paris Agora Festival[3] of his work With my limbs in the dark[4] for chamber ensemble, electronics and dancer, composed in collaboration with French choreographer Alban Richard.[4] Subsequently, he moved to New York for doctoral studies at Columbia University,[5] where he received further tuition from Fred Lerdahl, Tristan Murail and Fabien Lévy.[1] His doctoral thesis deals with musical temporality and its relationship with memory and perception.[6] While working on his doctorate, he undertook residencies at the Paul Sacher Foundation (Basel) to research alternative temporal/spatial notation systems and at IRCAM to develop the "Acoustic Aggregate Synthesis" system,[7] a "real-time performance tool which fuses synthetic and acoustic sound sources to achieve semi-acoustic resynthesis of a pre-defined acoustic model."[8]
Upon graduation from Columbia University, he moved to Basel, Switzerland, where he currently resides.[9] From 2016 to 2022, he served as Artistic Director of neuverBand[1], a chamber ensemble dedicated to contemporary music. In 2019, his large-scale scenic work "Portal Fantasies," composed in collaboration with cultural historian Barbara Piatti, was premiered at the Zeiträume Biennale für neue Musik und Architektur in Basel.[10] In January 2023, he accepted the post as the Artistic Director of Ensemble Recherche in Freiburg.[11]
His compositions are published by BabelScores,[12] Schweizer Musikedition[13] and the Australian Music Centre.[9]
Selected Works
edit- automation of the personalization process for two oboes, electronics and video (2023)[14]
- collective imaginary for chamber ensemble, electronics and video (2022)
- the grammar of shadows for chamber ensemble (2021)
- turn me on, dead man for soprano, electronics and video (2020)
- Tombeau de Clément Ader for chamber ensemble and electronics (2020)[15]
- La Géométrie d'après Descartes for orchestra (2020)
- the great silence for chamber ensemble (2019)
- RGBA for saxophone quartet (2019)
- Portal Fantasies, a musical, architectural and literary promenade for two actors & five musicians (2019)[10]
- the past is a foreign country, they do things differently there for flute, saxophone and piano (2019)
- Astatine for saxophone, accordion, cello and electronics (2019)[16]
- V Prostranem Morju Sanj for flute, violin, piano and a fourth performer (2018)
- Shadow Art II for flute, voice and electronics (2018)
- élan vital for flute, clarinet, saxophone and piano (2018)[17]
- The sea isn't rising, the ground is sinking for soprano, saxophone, piano, percussion and electronics (2017)
- the more perfect is the more immaterial for chamber ensemble (2016)
- Radotements avec citation for solo trombone (2016)[18]
- Objets à réaction poétique for 19 instruments (2015)
- presence, absence, degree for accordion and electronics (2015)
- duet/anagram for two saxophones and electronics (2015)
- Colours are like memories of other colours for string octet and electronics (2014)[19]
- On the celestial hierarchy for chamber ensemble (2014)[20]
- qui, dove mezzo son... for flute solo and chamber ensemble (2014)[21]
- Le détour permet le retour for string quartet, electronics and video (2013)
- Feuille Volante for solo alto flute (2012)
- Infinite Regress for 10 instruments (2011)
- 1950-C for solo guitar (2010)[22]
- With my limbs in the dark for chamber ensemble, dancer and electronics (2009)[4]
References
edit- ^ a b c d e "Paul Clift". brahms.ircam.fr. Retrieved 2024-05-28.
- ^ "Cursus Program on Composition and Computer Music".
- ^ "Festival Agora 2009 / Cursus 2 / Alban Richard". Centre Pompidou (in French). Retrieved 2024-05-28.
- ^ a b c "With my Limbs in the Dark, Paul Clift". brahms.ircam.fr. Retrieved 2024-05-28.
- ^ "Columbia University, Music Department Alumni". https://music.columbia.edu/content/paul-clift. Retrieved 28 May 2024.
{{cite web}}: External link in|website= - ^ Clift, Paul David (2017). Salience and Musical Form: On the Composition of 'Objets À Réaction Poétique' for Large Chamber Ensemble (Thesis). Columbia University. doi:10.7916/d8708632.
- ^ "Acoustic-Aggregate-Synthesis - Ressources". medias.ircam.fr. Retrieved 2024-05-28.
- ^ Paul, Clift; Adrien, Mamou-Mani; René, Caussé (2015). "Extending Brass & Woodwind Instruments with Acoustic-Aggregate-Synthesis". International Computer Music Conference Proceedings. 2015. ISSN 2223-3881.
- ^ a b "Paul Clift". neo. Retrieved 2024-05-28.
- ^ a b "Alles bloss Fantasie?". basellive.ch (in German). Retrieved 2024-05-28.
- ^ "Management". ensemble recherche (in German). Retrieved 2024-05-28.
- ^ https://www.babelscores.com
- ^ https://musicedition.ch/
- ^ oboesmig. "Projekt". Oboes Migrantes (in Spanish). Retrieved 2024-05-28.
- ^ "Tombeau de Clément Ader : for clarinet, electric guitar, percussion, violin, viola, cello, contrabass and electronics. by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "Astatine : for saxophone, accordion, cello & electronics by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "Elan Vital (quartets: flute, clarinet, saxophone, piano) by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "radotements avec citation : for solo trombone by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "Colours are like memories of other colours (octets: 4 violins, 2 violas, 2 cellos - with live electronics) by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "On the celestial hierarchy (septets: keyboard, percussion, string, woodwind) by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "qui, dove mezzo son... (flute with chamber ensemble) by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.
- ^ "1950-C : guitar solo by Paul Clift : Work : Australian Music Centre". www.australianmusiccentre.com.au. Retrieved 2024-05-28.