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Draft:Modal counterpoint

Modal counterpoint is a style of counterpoint based chiefly on modes, and generally in a vocal, rather than instrumental, style. It was the dominant form of counterpoint until the 16th century when it was overtaken by tonal counterpoint. The work of Palestrina is prototypical of the style.[1][2][3][4][5][6][7]

Bibliography

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  • Benjamin, Thomas (2005). The Craft of Modal Counterpoint. Psychology Press. ISBN 978-0-415-97172-0.
  • Green, Douglass Marshall; Jones, Evan (2011). The Principles and Practice of Modal Counterpoint. Taylor & Francis US. ISBN 978-0-415-98865-0.
  • Jeppesen, Knud (1992-01-01). Counterpoint. New York, NY: Courier Corporation. ISBN 978-0-486-27036-4.
  • Jones, Evan (2015-08-27). The Principles and Practice of Tonal Counterpoint. Routledge. doi:10.4324/9781315720371. ISBN 978-1-317-51877-8.
  • Krenek, Ernst (1959). Modal Counterpoint in the Style of the Sixteenth Century. Boosey and Hawkes. ISBN 978-0-913932-11-7.
  • Owen, Harold (1992). Modal and Tonal Counterpoint. New York: Cengage Learning. ISBN 978-0-02-872145-3.
  • Schubert, Peter (2008). Modal Counterpoint, Renaissance Style. New York, Oxford: Oxford University Press, USA. ISBN 978-0-19-533194-3.

References

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  1. ^ Benjamin 2005.
  2. ^ Schubert 2008.
  3. ^ Jones 2015.
  4. ^ Jones 2015.
  5. ^ Jeppesen 1992.
  6. ^ Owen 1992.
  7. ^ Green & Jones 2011.
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