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Comment: Please see Draft talk:Gloria Rodriguez Calero. -- Hoary (talk) 22:44, 30 August 2024 (UTC)
Comment: I'm certain that she meets WP criteria for notability, however the draft still needs work before it is ready to be published. The citations (references, sometimes called sources) need to be fully independent of her. You can leave what is there (however the YouTube videos should be moved to an External Links section. In the bibliography section chose the highest quality reviews and/or articles on her work, that have been published in independent reliable sources into citations (references), to back up the content and claims in the article. If you have questions, you can either ask on the Draft talk page, or at my talk page and I will help you. Netherzone (talk) 03:23, 30 July 2024 (UTC)
Gloria Rodriguez Calero | |
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Born | Arecibo, Puerto Rico |
Nationality | Puerto Rican |
Known for | painting, collage and photography |
Website | https://www.rodriguezcalero.com/ |
Rodriguez Calero (also known as “RoCa”) is a Nuyorican artist working as a painter, collagist, and photographer based in New York.[1]
Early life, education, and career
editBorn in Arecibo, Puerto Rico in 1959, but raised in as a Roman Catholic in Bryooklyn, New York. She studied under Lorenzo Homar at the Puerto Rican Artists at the Instituto de Cultura, Escuela de Artes Plasticas, and at the Arts Students League of New York with Leo Manso.[2]
Residencies and Grants
editShe held a National Endowment for the Arts residency at Taller Boricua with fellow artists Marcos Dimas, Gilberto Hernandez, Nestor Otero, Jose Rodriguez, Fernando Salicrup, Jorge Soto, and Manny Vega.[3]She has also had residencies at the Brandywine Workshop Center for the Visual Arts (PA, 1999), and Rutgers Center for Innovative Print & Paper (NJ, 2000).[4] She recieved the Brooklyn Arts & Culture Association Painting Award from the Brooklyn Museum and Belle Cramer Memorial Prize for Abstract Painting from the National Association of Women Artists. In 2008, she received the Joan Mitchell Foundation Grant in 2008.[5]
She has also received fellowships from the New Jersey State Council on the Arts, Geraldine R. Dodge Foundation and the New York Foundation for the Arts.[6]
Honors and Recognition
editIn 2003 Calero was selected for with 6 other artists for National recognition as part of Liquitex 50th Anniversary.[7]
Her work has been featured in New Jersey Networks Public Television State of the Arts Series, “SIGN OF THE TIMES” in 2005[8] and 2008.[6]
Exhibitions
editIn 2015, Rodriguez Calero was the first Nuyorican female artist to receive in depth survey of her work at El Museo del Barrio in New York which was guest curated by Alejandro Anreus entitled Gloria Rodriguez Calero: Urban Martyrs and Latter Day Santos.[9]Her work offers deeper social commentary about presentation and symbolism.[10] The exhibit included 29 large acrollage canvases, 19 smaller collages, 13 fotacrolés (altered photography) on canvas board, and 3 works of mixed media on paper produced over three decades.[11] The exhibition was be accompanied by a brochure and a scholarly catalogue.[12][13] The exhibit was reviewed and was given an honorable mention by Hyperallergic of the 20 best NYC exhibits.[14]
Style and Technique
editCalero has developed a distinct original technique called “acrollage”. She employs a variety of papers, colorful glazes of paint and acrylic mediums, appropriated prints which are layered on the canvas creating striking and highly graphic yet painterly compositions.[15] These were turned into plastic skins that often resemble monoprints.[16] Her smaller prints which she called “fotocroles,” employ a technique which combines photography, painting, collage, and chine-colle, as the name implies.[17]
There is a dichotomy in Calero’s work which bears qualities of both classical and contemporary elements. These include influences of surrealist collage, Catholic iconography, medieval religious painting, as well as hip-hop and street culture.[18] Her work offers a balance of the abstract and figurative, sacred and profane, the meditative and boldly graphic. Her work employs bold color and carefully arranged dynamic compositions while offering an empathetic gaze on the her subject – subjects of the society she lives in. She embraces and celebrates ethnic groups, as well as LGBT community. Her work explores Afro-Hispanic Imagery and barrio life and demonstrates a belief that everyone, even the most marginalized have dignity and inner worth regardless of social class.[19] Figures in her works preach the gospel for today, reinterpreting community and providing content for the work that is ethnic, political and spiritual and thus at odds with much of the deconstructionist contemporary art of the day.[9]
Books and Catalogs
editRodrigeuz Calero: Urban Martyrs and Latter Day Santos, El Museum del Barrio 2015[1]
i•den•ti•ty, Merion Hall Gallery at Saint Joseph's University. Philadelphia PA. catalogue[20]
RazA con “A”, Gallery Space at NYU Wagner. New York, New York. catalogue 2013[21]
Exit Art, Alternative Histories New York Art Spaces 1960 to 2010. Taller Boricua[22]
References
edit- ^ a b "RODRIGUEZ CALERO: Urban Martyrs and Latter Day Santos". El Museo del Barrio. Retrieved 2024-07-28.
- ^ Magnifico, Lauren (2007). "Rodriguez Calero, interviewed by Lauren Magnifico, ILS 208, February 28, 2007". Center for Latino Studies, Notre Dame.
- ^ Staff, Clarion. "Honoring 40 Years of Centro: the "nu-YO-Rican" Print Project". PSC CUNY. Retrieved 2024-07-28.
- ^ vínculo, Obtener. "Rodríguez Calero show at Robert F. Wagner Graduate School of Public Service". Tertulia Latina. Retrieved 2024-07-29.
- ^ "Rodriguez Calero - TertuliaLatinaNYC". cargocollective.com. Retrieved 2024-07-29.
- ^ a b "Rodriguez Calero". CentroPR. 2022-10-21. Retrieved 2024-07-29.
- ^ "An Artistic Conversation with Rodríguez Calero". Arte Realizzata. Retrieved 2024-09-07.
- ^ Edwards, Amber (2005). "Liquitex 50th Anniversary. State of the Arts". New Jersey Network Public Television & Radio.
- ^ a b Center for Puerto Rican Studies (2016). "Puerto Rican Voices: Season 3 Episode 4 (RoCa: Rodríguez Calero)". vimeo.
- ^ Ainley, Nathaniel (2015-07-22). "Collage Artist Combines Catholicism and Pop Culture". VICE. Retrieved 2024-09-07.
- ^ Meier, Allison (2015-08-07). "Saintly Collages of Everyday People". Hyperallergic. Retrieved 2024-09-07.
- ^ "RODRIGUEZ CALERO: Urban Martyrs and Latter Day Santos". El Museo del Barrio. Retrieved 2024-07-28.
- ^ Anreus, Alejandro (2015). "Rodriguez Calero Urban Martyrs and Latter Day Saints" (PDF).
- ^ Hyperallergic (2015-12-16). "Best of 2015: Our Top 20 NYC Art Shows". Hyperallergic. Retrieved 2024-07-28.
- ^ "Collection: Gloria Rodríguez Calero Papers | Centro Library and Archives - ArchivesSpace". centroarchives.hunter.cuny.edu. Retrieved 2024-07-28.
- ^ CUNY TV (2015-07-23). Independent Sources: Artistic NYC. Retrieved 2024-07-29 – via YouTube.
- ^ Holmes, Jessica (2015-09-08). "RODRÍGUEZ CALERO Urban Martyrs and Latter Day Santos". The Brooklyn Rail. Retrieved 2024-08-01.
- ^ "re:tratos urbanos rodríguez calero" (PDF). NYU Wagner. Retrieved 30 July 2024.
{{cite web}}
: CS1 maint: url-status (link) - ^ Veneciano, Jorge Daniel (2015). Rodriguez Calero: Urban Martyrs + Latter Day Saints [Martires urbanos y santos de nuestros dias] (in English and Spanish). New York: El Museo del Barrio. ISBN 978-1-882454-82-2.
- ^ I·den·ti·ty: A group exhibition highlighting global and cultural Identity through art (in 5-6). Merion Station, PA: St Joseph's Universitiy. 2022.
{{cite book}}
: CS1 maint: date and year (link) CS1 maint: unrecognized language (link) - ^ Crescioni-sAntoni, Franki (2013). RazA con “A”. New York NY: Gallery at NYU Wagner.
- ^ Rosati, Lauren; Staniszewski, Mary Anne (2013). Exit Art, Alternative Histories New York Art Spaces 1960 to 2010. Exit Art and The MIT Press. pp. 126–127.
External links
edit- Official Website
- Museo Del Barrio Exhibition
- Unapanta, Richard, (producer) Puerto Rican Voices: Season 3 Episode 4 Center for Puerto Rican Studies. Hunter College
- Rodriguez Calero Oral History Project. Institute for Latino Studies, Notre Dame University.