| Submission declined on 5 October 2022 by Hoary (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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Comment: Certainly there are indications of notability here, and I wouldn't be surprised if she satisfies WP:ARTIST or WP:PERSON. However, it needs to be clear from the draft that she does satisfy one or the other. (She doesn't need to satisfy both.) Hoary (talk) 07:05, 5 October 2022 (UTC)
 | This article's use of external links may not follow Wikipedia's policies or guidelines. (May 2024) |
Francisca Benitez | |
|---|---|
| Born | 1974 (age 49–50) |
| Education | |
Francisca Benítez (born 1974) is a Chilean multidisciplinary visual and performance artist. Originally trained as an architect, her art practice explores relations between the logic of public space, the politics of community and the mediation of language. She works in mediums including drawing, video, photography, sculpture, performance and music.
The New York Times stated in a review by Gia Kourlas "Benítez's work is thematically connected by the exploration and delineation of boundaries, both social or spatial."[1]
She has exhibited and performed internationally at venues such as Storefront for Art and Architecture,[2][3] the Whitney Museum[4] the Havana Biennial,[5] the Jeu de Paume.[6] and the 15th Bienal FEMSA.[7]
Since 2017, she has been a member of the Stop Shopping Choir, an anti-capitalist direct action performance group.[8]
Artistic Practice edit
Early works were "documentary-essays in video and photography about ephemeral architectures — temporary occupations of public space created by people and communities as means of survival or ritual use".[9]
An early work was "Property Lines" (2008-2009), a performance work that consisted of the temporary occupation of 76 property lines by the artist on the streets of New York City, documented by creating graphite rubbings of their demarcations embedded in the ground.[10][11]
She has worked with Deaf culture and sign language - driven by her deaf father's experiences as well as her direct engagement with problems that deaf communities face in gaining access to their languages. This body of work has often has taken the form of collabrative workshops in volving art institutions and the local deaf culture site[12] Son en Señas.[13][14]
Engaging Deaf Poetry as a point of departure, Benítez has created temporary collaborative art spaces to encourage an encounter between both Deaf and hearing cultures that work to highlight the narrative and spatial qualities of sign languages.[15]
Regio and La Vieja Escuela https://dieecke.art/exhibiciones/riego/ https://franciscabenitez.org/works/riego/
Selected Solo Exhibitions edit
- Riego, Die Ecke Santiago, Chile (2022)
- Cuerpos Comunicantes, Die Ecke Barcelona, Spain (2019)
- NEW NOW: Francisca Benítez, New Britain Museum of American Art, CT, US (2017)
- Poemas Concretos, Die Ecke, Santiago, Chile (2016)
- Oro Dulce, Cuchifritos Gallery + Project Space, New York, US (2016)
- Canto Visual, Museo de Artes Visuales, Santiago, Chile (2013)
- Oro Dulce, Die Ecke, Santiago, Chile (2011)
- Francisca Benítez: 3 Videos, Die Ecke Barcelona, Spain (2010)
- Eigentumsgrenze, Nada.Lokal, Vienna, Austria (2009)
- Chamber, Lokal.int, Biel-Bienne, Switzerland (2009)
- Prótesis del Nuevo Exodo, Die Ecke, Santiago, Chile (2007)
- The making of Golden Warriors, Medianoche, New York, US (2006)
Selected Group Exhibitions edit
- In Support, The Kitchen, New York, US (2022)
- Soulèvements, Jeu de Paume, Paris, France (2016)
- much wider than a line, SITE Santa Fe, Santa Fe, New Mexico, US (2016)
- [https://www.thehighline.org/art/projects/pier-54/ Soliloquy in Signs, Pier 54, New York, US (2014)
- Thinking and Speaking, Galerie Nordenhake, Stockholm, Sweden (2013)
- The Street Files, El Museo del Barrio, New York, US (2011)
Selected Publications edit
![[icon]](/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section is empty. You can help by adding to it. (May 2024) |
External Links edit
- Artist's Website
- Communicating Bodies, Terremoto Magazine, 2019
References edit
- ^ Kourlas, Gia (2015-07-16). "Review: The Soundless Gestures of Francisca Benitez's Dance on the High Line". The New York Times.
- ^ "Cabaret Series:The Public is in Bits and Bubbles". Storefront for Art and Architecture.
- ^ "Cabaret Series: On the Ground". Storefront for Art and Architecture.
- ^ "Readings Under the Cohoba". Whitney Museum.
- ^ "12th Havana Biennial – "Between The Idea And Experience" – Program Announced". Biennial Foundation.
- ^ "Uprisings, 2015". Jeu de Paume Paris.
- ^ "15 Bienal FEMSA 2024". Bienal FEMSA.
- ^ "The Stop Shopping Choir".
- ^ Benítez, Francisca. "Communicating Bodies". Terremoto, Issue 15.
- ^ Benítez, Francisca. "Communicating Bodies". Terremoto, Issue 15.
- ^ Benítez, Francisca. "Property Lines". FranciscaBenitez.org.
- ^ "Vimeo".
- ^ "Son en Señas".
- ^ "Canto Visual".
- ^ "Francisca Benitez, "You have given the world your songs"". Kadist.