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Donald Sylvester is an American sound editor who has worked on over 100 films. He is best known for his work with James Mangold on the films Ford v Ferrari (2019), Logan (2017), 3:10 to Yuma (2007), and Walk the Line (2005).[1] Sylvester won the Academy Award for Best Sound Editing at the 92nd Academy Awards for Ford v Ferrari[2] and BAFTA Award for Best Sound at the 59th British Academy Film Awards for Walk the Line.[3] He has been a member of BAFTA since 2007.
Donald Sylvester | |
|---|---|
| Born | Moorestown, New Jersey, U.S. |
| Occupation | Sound editor |
| Years active | 1991–present |
| Spouse | Penelope Shaw Sylvester |
Awards and nominations edit
- 2020: Academy Award for Best Sound Editing – Ford v Ferrari (won)[2]
- 2020: BAFTA Award for Best Sound – Ford v Ferrari (nominated)[4]
- 2020: Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film – Ford v Ferrari (won)[5]
- 2020: Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film – Ford v Ferrari (nominated)[5]
- 2020: Satellite Award for Best Sound – Ford v Ferrari (won)[6]
- 2019: Hollywood Film Award for Sound of the Year – Ford v Ferrari (won)[7]
- 2018: Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film – Logan (nominated)[8]
- 2008: Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film – 3:10 to Yuma (nominated)[9]
- 2006: BAFTA Award for Best Sound – Walk the Line (won)[3]
- 2004: Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film – Master and Commander: The Far Side of the World (nominated)[10]
- 2004: Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film – X2: X-Men United (nominated)[10]
- 2003: Golden Reel Award for Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film – Antwone Fisher (nominated)[11]
- 2001: Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects and Foley for Feature Film – U-571 (nominated)
References edit
- ^ Macaulay, Scott (December 10, 2019). "Start Your Engines: The Sound Team of James Mangold's Ford v Ferrari on the Thrill of the Race". Filmmaker. Retrieved August 5, 2020.
- ^ a b Giardina, Carolyn (February 9, 2020). "Oscars: 'Ford v Ferrari' Races to Sound Editing Award, '1917' Grabs Mixing Statuette". The Hollywood Reporter. Retrieved August 5, 2020.
- ^ a b Giardina, Carolyn (November 15, 2019). "'Ford v Ferrari' Sound Team Featured in THR's 'Behind the Screen' Show". The Hollywood Reporter. Retrieved August 5, 2020.
- ^ THR Staff (February 2, 2020). "BAFTA Awards: '1917' Dominates, Including Wins for Best Film, Director". The Hollywood Reporter. Retrieved August 5, 2020.
- ^ a b Giardina, Carolyn (January 19, 2020). "'Ford v Ferrari,' '1917' Collect Wins at MPSE Golden Reel Awards". The Hollywood Reporter. Retrieved August 5, 2020.
- ^ "2019 Winners". International Press Academy. Retrieved August 5, 2020.
- ^ Abramovitch, Seth (November 1, 2019). "Rob Riggle Will Play Nice as Hollywood Film Awards Host: "It's Definitely Not a Roast"". The Hollywood Reporter. Retrieved August 5, 2020.
- ^ Giardina, Carolyn (February 18, 2018). "Golden Reel Awards: Oscar Nominees 'Blade Runner 2049,' 'Dunkirk' Among Sound Editor Winners". The Hollywood Reporter. Retrieved August 5, 2020.
- ^ Giardina, Carolyn. "2008 Golden Reel Award Nominees: Feature Films". Jason Ryder. Retrieved August 5, 2020.
- ^ a b Graser, Marc (January 19, 2004). "'Pirates' reels in most MPSE noms". Variety. Retrieved August 5, 2020.
- ^ Martin, Denise (February 7, 2003). "'Gangs,' 'Perdition' top Golden Reel nods". Variety. Retrieved August 5, 2020.
External links edit
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