Wikipedia

Dan Hicks (archaeologist)

Dan Hicks, FSA (born 1972) is a British archaeologist and anthropologist. He is Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College, Oxford. His research is focused on contemporary archaeology, material culture studies, historical archaeology, colonial history, heritage studies, and the history of art, archaeology, anthropology, and museum collections.[1][2]

Dan Hicks
Dan Hicks
Born
Spennymoor, County Durham, England
Alma mater
Occupations
  • Archaeologist
  • Anthropologist
  • Art Historian
  • Museum Curator
Websitewww.danhicks.uk

Early life and education edit

Hicks studied archaeology and anthropology at St John's College, Oxford, gaining a Bachelor of Arts (BA) degree. He received his Doctor of Philosophy (PhD) degree in archaeology and anthropology from the University of Bristol.[3][failed verification]

Career edit

Hicks worked as a field archaeologist in the local authority and private sector in the 1990s.[4][5] He has conducted fieldwork in the UK, the eastern Caribbean, and the eastern United States, and has published on archaeological and ethnographic collections from around the world.[6] He was previously Lecturer in Archaeology and Anthropology at St John's College, Oxford, Lecturer in Archaeology and Anthropology at the University of Bristol, and Research Fellow in Archaeology and Anthropology at Boston University.[citation needed] Hicks is Professor of Contemporary Archaeology at the University of Oxford and Curator at the Pitt Rivers Museum.[7]

Hicks has appeared on BBC Radio 4's In Our Time[8] and Making History.[9] In 2017-18 he was the Junior Proctor of the University of Oxford. Hicks has also served as a non-executive director of Museum of London Archaeology, a member of council and trustee of the Society of Antiquaries of London, a trustee and delegate of Oxford University Press, and a trustee and member of council of the University of Oxford.[4] In 2019, Hicks co-curated the exhibition Lande: The Calais ‘Jungle’ and Beyond at the Pitt Rivers Museum.[10] In 2021-22, Hicks was advisor to Isaac Julien for his work Once Again (Statues Never Die), commissioned by the Barnes Foundation.[11] In 2022, he curated an installation by the Nigerian artist Victor Ehikhamenor at St Paul's Cathedral.[12]

Hicks's 2020 book The Brutish Museums is the subject of both praise and criticism. It was named one of the New York Times Best Arts Books of 2020,[13] and was described as "a startling act of conscience" by Ben Okri,[14] as "masterful" by the LA Review of Books,[15] and by The Guardian as "A beautifully written, carefully argued book".[16] It was also criticised with Nigel Biggar saying "Brutish Museums is an object lesson in how political zeal can abuse data in the cause of manufacturing an expedient narrative"[17] and Richard Morrison of The Times saying "Hicks’s vision of great museums returning hundreds of thousands of items...to the possible descendants (or not) of the peoples who created them, in some cases thousands of years ago, strikes me as being so impractical on so many levels that it could only have come from someone who makes his living in an ivory tower that’s actually stocked with ivory".[18]

In June 2023 Hicks was announced as Chair of Judges for the 2023 Hessell-Tiltman Prize.[19]

Hicks has written comment and opinion pieces in The Guardian,[20] The Telegraph,[21] Hyperallergic,[22] The Art Newspaper[23] and Art Review,[24] covering issues around museums, art, colonial history, cultural restitution, heritage policy and archaeology.[25]

In 2022 Hicks was caught up in controversy with his contributions to decolonising the Wellcome Collection's "Medicine Man" exhibit. He was criticised for "cloudy vagueness" and historical inaccuracy in asserting that Jeremy Bentham was opposed to the abolition of slavery and involved in the invention of race science.[26] He responded to this accusation by claiming that the provision of bodies for anatomical investigation was a key part of the development of 19th century race science.[27]

He delivered the 2020 Schöne Lecture of the Technische University, Berlin; the 2021 Marilyn Strathern Lecture at the University of Cambridge; the 2021 Spence Lecture at Western University, Ontario; the 2022 Robert K. Webb Lecture at UMBC Baltimore; the 2021 Goethe Lecture of the Goethe Institute in London; the 2022 Bernie Grant Memorial Lecture at the Bernie Grant Arts Centre; and the 2023 Driedger Lecture at University of Lethbridge.[28][better source needed]

Honours edit

On 24 January 2008, Hicks was elected a Fellow of the Society of Antiquaries of London (FSA).[29] He is also a full Member of the Chartered Institute for Archaeologists (MCIfA). In 2017-18 Hicks was visiting professor at the Musée du quai Branly – Jacques Chirac. In 2017, Hicks was awarded the Rivers Memorial Medal by the Royal Anthropological Institute.[30] Hicks' book The Brutish Museums was the joint winner of the 2021 Elliott P Skinner Book Prize of the Association for Africanist Anthropology,[31] and won the 2022 Best Book in Public History of the National Council on Public History.[32] It was also shortlisted for the 2021 Bread and Roses Award.[33]

Books edit

  • Hicks, Dan (2020). The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution. Pluto Press. ISBN 978-0-7453 4176-7.
  • Hicks, Dan; Mallet, Sarah (2019). Lande: the Calais "Jungle" and Beyond. Bristol University Press. ISBN 978-1-5292-0618-0.
  • Hicks, Dan (2019). Archaeology and Photography: time, objectivity and archive. Bloomsbury. ISBN 978-1-3500-2968-2. (edited with Lesley McFadyen).[1]
  • Boyd, Alex; Meades, Jonathan; Hicks, Dan (2019). Isle of Rust. Luath Press. ISBN 978-1-9130-2500-7.
  • Hicks, Dan (2013). World Archaeology at the Pitt Rivers Museum: a characterization. Archaeopress. ISBN 978-1-90-573958-5. (edited with Alice Stevenson).[2]
  • Hicks, Dan (2010). The Oxford Handbook of Material Culture Studies. Oxford University Press. ISBN 978-0-19-921871-4. (edited with Mary C. Beaudry).
  • Hicks, Dan (2007). The Garden of the World: An Historical Archaeology of Sugar Landscapes in the Eastern Caribbean. Archaeopress (Studies in Contemporary and Historical Archaeology 3, British Archaeological Reports International Series 163). ISBN 978-1-4073-0046-7.
  • Hicks, Dan (2007). Envisioning Landscape: Situations and Standpoints in Archaeology and Heritage. Walnut Creek: Left Coast Press (One World Archaeology 52). ISBN 978-1-59874-281-7. (edited with Laura McAtackney and Graham Fairclough).
  • Hicks, Dan (2006). The Cambridge Companion to Historical Archaeology. Cambridge University Press. ISBN 978-0-521-85375-0. (edited with Mary C. Beaudry).

References edit

  1. ^ "Dan Hicks, St Cross College, University of Oxford". St Cross College, Oxford.
  2. ^ "Dan Hicks, University of Oxford". School of Archaeology, Oxford University.
  3. ^ "web page for Dan Hicks, School of Archaeology, University of Oxford". University of Oxford.
  4. ^ a b "About Dan Hicks". Dan Hicks. Retrieved 1 August 2020.
  5. ^ "Legacies of violence". The Economist. Retrieved 8 August 2020.
  6. ^ Hicks, Dan (2013). World Archaeology at the Pitt Rivers Museum: a characterization. Oxford: Archaeopress.
  7. ^ "Dan Hicks, website".
  8. ^ "In Our Time, 28 February 2013". BBC Radio 4.
  9. ^ "Making History, 28 July 2015". BBC Radio 4.
  10. ^ "Lande: The Calais 'Jungle' and Beyond". www.prm.ox.ac.uk. Retrieved 19 June 2020.
  11. ^ "Isaac Julien's "Once Again . . . (Statues Never Die)"". Barnes Foundation. Retrieved 4 October 2023.
  12. ^ "St Paul's Cathedral - Victor Ehikhamenor".
  13. ^ Smith, Roberta; Cotter, Holland; Farago, Jason; Mitter, Siddhartha (26 November 2020). "Best Art Books of 2020". The New York Times. Retrieved 4 January 2021.
  14. ^ "History of Art Research Seminar: The Brutish Museums | Edinburgh College of Art". University of Edinburgh. Retrieved 4 January 2021.
  15. ^ Thompson, Erin (23 September 2020). "The Museum as Weapon". LA Review of Books.
  16. ^ Riley, Charlotte (6 November 2020). "The Brutish Museums by Dan Hicks review". The Guardian.
  17. ^ Biggar, Nigel (18 March 2021). "Whites and wrongs: Dan Hicks, The Brutish Museums: The Benin Bronzes, Cultural Violence and Cultural Restitution". The Critic. Retrieved 22 October 2023.
  18. ^ Morrison, Richard (17 November 2020). "The Brutish Museums by Dan Hicks review — should we return looted artefacts?". The Times. Retrieved 22 October 2023.
  19. ^ "PEN Hessell-Tiltman Prize 2023 judges announced".
  20. ^ "Dan Hicks - The Guardian". The Guardian. Retrieved 4 October 2023.
  21. ^ "Dan Hicks - The Telegraph". The Telegraph. Retrieved 4 October 2023.
  22. ^ "Dan Hicks - Hyperallergic". Hyperallergic. Retrieved 4 October 2023.
  23. ^ "Dan Hicks - The Art Newspaper". The Art Newspaper. Retrieved 4 October 2023.
  24. ^ "Dan Hicks - Art Review". Art Review.
  25. ^ "Essays — D A N | H I C K S". D A N | H I C K S. Retrieved 22 September 2021.
  26. ^ "Museums like Wellcome Collection Miss The Middle Ground In The Culture Wars". 30 November 2022. Archived from the original on 30 November 2022. Retrieved 18 December 2022.
  27. ^ "Dan Hicks on Twitter". 4 December 2022. Archived from the original on 18 December 2022. Retrieved 18 December 2022.
  28. ^ "About Dan Hicks - named lectures".
  29. ^ "Fellows Directory - Hicks". Society of Antiquaries of London. Retrieved 4 April 2019.
  30. ^ "Professor Dan Hicks is awarded the Rivers Medal". St John's College, Oxford.
  31. ^ "Elliott P. Skinner Book Award".
  32. ^ "National Council on Public History".
  33. ^ "Bread and Roses Award". The Bookseller.

External links edit

Retrieved from "https://en.wikipedia.org/w/index.php?title=Dan_Hicks_(archaeologist)&oldid=1214541157"