The Congress of Black Writers and Artists (French: Congrès des écrivains et artistes noirs; originally called the Congress of Negro Writers and Artists) was a meeting of leading black intellectuals for the purpose of addressing the issues of colonialism, slavery, and Négritude. The First Congress of Black Writers and Artists was organized by the Pan-African quarterly cultural, political, and literary review Présence Africaine.[1] It was held in Paris, France, in September 1956.[2] Ahmed Sékou Touré spoke at the Second Congress of Black Writers and Artists, which was held in Rome, Italy, in 1959.[3] One of the most influential Congress was held in Montreal, Canada, at McGill University, October 11–14, 1968; it was organized primarily by the Caribbean Conference Committee[4] and was described as the "largest Black Power conference ever held outside the United States"[5]
"Princes and Powers" by James Baldwin
editThe account of the 1956 congress in the essay "Princes and Powers", by African-American writer James Baldwin, has been credited with bringing the congress to the attention of the English-speaking world. Reports of the congress were published in many newspapers around Paris giving the wider French audience an idea of the issues being discussed.[6] The essay was published in the literary journal Preuves, which unknown to Baldwin, was a front for the CIA.[7] Regardless of the political ties, this essay spread the news of the Black Congress to English-speakers around the world.
In "Princes and Powers", Baldwin recaps the philosophical discussions around African statehood but also conflicts surrounding Négritude. Baldwin and other American delegates found themselves isolated from the ideas spouted by French-speaking delegates such as Alioune Diop and Léopold Sédar Senghor. As proponents of Négritude, Diop and Senghor supported the creation of an international black identity that was separated from imperialism and colonialism. As a Black American, Baldwin noted that the constant references to one black identity only highlighted the significant differences in the black experience. For example, Baldwin mentioned the discussion around what constitutes culture. He questioned if there can be a singular black culture when black people have been dispersed throughout the globe living under different conditions and history. The only thing that seemed to connect the black delegates was their relation to the white world. However, négritude advocated for a black identity outside of whiteness. How can an international black identity be created outside of white when it is white oppression that connects black peoples together?[citation needed]
Congress of Black Writers and Artists in Montreal
editIn 1968, from October 11 to October 14, the Congress of Black Writers and Artists was held at McGill University in memory of figures such as Malcolm X and Martin Luther King. [8] The congress was organized primarily by a young crowd consisting mostly of Caribbean and Black Canadian students while being sponsored by McGill's West Indian Student Association.[9] The congress brought together various significant Black intellectuals such as Michael X, Rocky Jones, C. L. R. James, Walter Rodney, James Forman and most notably, Stokely Carmichael.[10] The goal of this event was to discuss the attainment of Black independence through vocalizations opposing issues including Racism, Capitalism, Colonization, and the practice of discrimination.[11]
Ideas were presented at the conference in four separate sections: "The Origin and Consequences of the Black-White Confrontation," The Germs of the Modern Black Awareness", "The Re-Evaluation of the Past" and "Perspectives for the Future".[12] It was described by the McGill Daily as the "largest Black Power conference ever held outside the United States.[13] This event found itself to be a source of mass controversy as it allowed for the attendance of White individuals, but was immediately followed by an assembly exclusive to Black individuals.[14]
References
edit- ^ Carole Boyce Davies (2008). Encyclopedia of the African Diaspora: Origins, Experiences, and Culture. Vol. 1. ABC-CLIO. p. 767. ISBN 978-1-85109-700-5.
- ^ Richard H. King (2004). Race, Culture, and the Intellectuals, 1940-1970. Woodrow Wilson Center Press. p. 201. ISBN 0-8018-8066-1.
- ^ Robert William July (1987). An African Voice: The Role of the Humanities in African Independence. Duke University Press. p. 24. ISBN 0-8223-0769-3.
- ^ Mills, Sean (1979). The Empire Within: Postcolonial Thought and Political Activism in Sixties Montreal. Quebec: McGill - Queen's University Press. p. 101. ISBN 978-0-7735-3695-1.
- ^ "Black Power is Coming". McGill Daily. 27 September 1968.
- ^ James Baldwin (1985). Princes and Powers. The Price of the Ticket. p. 41-63. ISBN 0-312-64306-3
- ^ Winks, Christopher (2013). "Into the Heart of the Great Wilderness: Understanding Baldwin's Quarrel with "Négritude"". African American Review. 46 (4): 605–614. doi:10.1353/afa.2013.0096. ISSN 1062-4783. JSTOR 24589857. S2CID 51749241.
- ^ Forsythe, Dennis (1971). Let the Niggers burn! The Sir George Williams University affair and its Caribbean aftermath. Montreal: Black Rose Books - Our Generation Press. p. 60.
- ^ Hudson, Peter James (November 1, 2020). "Montreal 1968 and the Last Colonial Generation". Small Axe: A Journal of Criticism. 24 (3): 195–205. doi:10.1215/07990537-8749878.
- ^ Mills, Sean (2022). Unsettling the Great White North. Toronto; Buffalo; London: University of Toronto Press. pp. 222–254. ISBN 9781487529192.
- ^ Forsythe, Dennis (1971). Let the Niggers burn! The Sir George Williams University affair and its Caribbean aftermath. Montreal: Black Rose Books - Our Generation Press. p. 61.
- ^ Forsythe, Dennis (1971). Let the Niggers burn! The Sir George Williams University affair and its Caribbean aftermath. Montreal: Black Rose Books - Our Generation Press. p. 60.
- ^ Aleong, Stanley (September 27, 1968). "Black Power is Coming". McGill Daily.
- ^ Chodos, Robert; Douglas, Rosie; Sherman, Rita (October 21, 1968). "No Time for Coalitions". McGill Daily.