1964 New York World's Fair

The 1964–1965 New York World's Fair was a world's fair at Flushing Meadows–Corona Park in Queens, New York City, United States. The fair included exhibitions, activities, performances, films, art, and food presented by 80 nations, 24 U.S. states, and nearly 350 American companies. The 646-acre (261 ha) fairground consisted of five sections: the Federal and State, International, Transportation, Lake Amusement, and Industrial areas. Themed to the concept of "peace through understanding", the fair was centered around a stainless-steel model of the Earth called the Unisphere. On opening day, the fair had 139 pavilions, in addition to 34 concessions and shows.

1964–1965 New York City
Unisphere viewed from observation towers of the New York State Pavilion
Overview
BIE-class	Unrecognized exposition
Name	1964–1965 New York World's Fair
Motto	Peace through Understanding
Building(s)	Unisphere
Area	646 acres (2.61 km2)
Visitors	51,607,448
Organized by	Robert Moses
Participant(s)
Countries	66 (80 including nations without full exhibits)
Business	Nearly 350 companies
Location
Country	United States
City	New York City
Venue	Flushing Meadows–Corona Park
Timeline
Bidding	1959
Awarded	Never
Opening	April 22, 1964 (1964-04-22) April 21, 1965 (1965-04-21)
Closure	October 18, 1964 (1964-10-18) October 17, 1965 (1965-10-17)
Universal
Previous	Century 21 Exposition in Seattle
Next	Expo 67 in Montreal
Internet
Website	www.nywf64.com

The site had previously hosted the 1939 New York World's Fair. Several businessmen devised plans for a 1964 fair in the 1950s, and the New York World's Fair 1964 Corporation (WFC) was formed in 1959. Although U.S. president Dwight D. Eisenhower approved the fair, the Bureau International des Expositions never recognized it. Construction began in late 1960, and over a hundred exhibitors signed up for the fair over the next three years. The fair ran for two six-month seasons: April 22 to October 18, 1964, and April 21 to October 17, 1965. Despite initial projections of 70 million visitors, the fair had just over 51.6 million guests. After the fair, some pavilions were preserved or relocated, but the vast majority of structures were demolished.

The different sections were designed in various architectural styles, though anyone could host an exhibit if they could afford to rent the land and pay for a pavilion. The fairground had several amusement and transport rides, as well as various plazas and fountains. The fair had 198 restaurants at its peak, and foods from these restaurants, such as Belgian waffles, were popularized through the fair. There were more than 30 entertainment events at the fair, in addition to 40 theaters and various music performances. Exhibitors also displayed sculptures, visual art, and artifacts. In addition, many consumer products were featured at the fair. Though the event was a financial failure that was criticized in the contemporary press, the fair is noted as a showcase of mid-20th-century American culture and technology.

Development

The site of the 1964 World's Fair, Flushing Meadows–Corona Park in Queens, was originally a natural wetland straddling the Flushing River. The site was the Corona Ash Dumps in the early 20th century before it was selected for the 1939–1940 World's Fair. The 1939 fair was themed to "the world of tomorrow" and was highly unprofitable, recouping only 32% of its original cost. After the fair, the site was used as a park.

Planning

World's Fair Corporation

The idea for the 1964 fair was conceived by a group of businessmen. Among them was the lawyer Robert Kopple, who first discussed the idea of a 1964 fair at a family dinner in 1958 and suggested it at a meeting of the Mutual Admiration Society the following year. The year 1964 was nominally selected to coincide with the 300th anniversary of the conquest of New Netherland. Kopple and two friends, Charles Preusse and Thomas J. Deegan, met with 35 potential financiers at the 21 Club restaurant to ask for funding. New York City mayor Robert F. Wagner Jr. and parks commissioner Robert Moses formally endorsed the proposal in August 1959, and seventy-five businessmen formed the New York World's Fair 1964 Corporation (WFC) that month. Moses offered to let the WFC use Flushing Meadows for a nominal fee. The fairground would include not only the 1939 World's Fair site but also part of the nearby Kissena Corridor Park.

The bid still needed approval from the United States Congress and the Bureau International des Expositions (BIE), the French organization that was in charge of approving world's fairs. With Los Angeles and Washington, D.C., submitting competing bids, U.S. president Dwight D. Eisenhower appointed a committee to review the 1964 world's fair bids in October 1959, and Eisenhower approved the New York bid later that month. Seventy-five nations had informally indicated an intention to attend the fair by late 1959, and the WFC began looking for a president and three additional managers in early 1960. Moses was tentatively selected as the WFC's president that March, despite Koppel's objections that Moses was too old. In turn, Moses would not take the job unless Kopple resigned, as the two men had disagreed bitterly over the canceled Mid-Manhattan Elevated Expressway. After Kopple quit the WFC, Moses formally became the WFC's president that May. Moses wanted the fair to run for two years, and consultants for the WFC predicted that the fair would have 70 million visitors during that time.

Moses traveled to Paris to ask that the BIE recognize the fair. Although the BIE had allowed the WFC to begin planning the fair in November 1959, BIE officials would not give the fair formal recognition. Under BIE rules, world's fairs could run for one 6-month period, though the WFC had tried to request an exemption for the 1964 fair. The New York fair would also charge rent to foreign governments, contravening another BIE rule that prevented rent from being charged to exhibitors. In addition, the BIE allowed only one exposition per country every ten years. After Moses refused to negotiate with BIE officials and treated them derisively, the organization voted to approve the 1962 Seattle World's Fair, thereby preventing them from approving a New York fair for 1964. Moses belittled the BIE as a "bunch of clowns in Paris", but without formal recognition, the fair could not host official exhibits from BIE member states.

Financing and initial exhibitors

Republic of China pavilion

The WFC planned to issue $500 million in bonds (later decreased to $150 million). Moses proclaimed that the 1964 fair would be a "billion-dollar" event, though this included expenses for related projects such as roads and the nearby Shea Stadium. The WFC leased about 646 acres (261 ha) from the city government in May 1960. Moses hired former lieutenant governor Charles Poletti and military engineer William Everett Potter to organize the exhibits. A design committee had proposed one massive pavilion, but the committee had quit by the end of the year. Moses wanted to save the WFC money by having exhibitors erect most of their own pavilions. The city government instead implemented a building code and health code, which Potter enforced. Nearly all buildings were to be temporary structures. By that August, the first ten exhibitors had applied for space at the fair, and architectural blueprints had been submitted for the fair's first pavilion. The WFC began sending delegations abroad to invite foreign governments to the fair.

The 1964 fair was to be themed to the concept of "peace through understanding", and exhibits were to be divided into five areas. The Port Authority of New York and New Jersey agreed to operate the fairground's transportation section. The original plans called for an amusement park area, which was canceled after the WFC could not find an operator. The group began issuing $67.5 million in promissory notes in late 1960 to fund construction; the WFC later reduced the amount to $64 million (consisting of $40 million in notes plus $24 million from the city). At the time, the WFC's finance chairman predicted that the fair would earn over $200 million. By the end of 1960, seven countries had agreed to sponsor exhibits. and one-third of the industrial pavilion sites had been leased. Moses announced in early 1961 that the Unisphere would be built as the fair's symbol, and the WFC also hired the Pinkerton agency to provide security and first-aid services. A report published that January indicated that the fair itself would cost $768 million, although most of this cost would be paid by individual exhibitors.

Construction

The Unisphere was selected as the fair's symbol in early 1961.

Exhibitors designed their own pavilions, which were built by local labor unions. Wagner predicted that 10,000 people would be employed during construction. The WFC hosted "preview days" where selected guests could view construction. The Travelers Companies built information centers across the U.S. to promote the fair. The WFC issued collectible bronze and silver medallions, manufactured by the Medallic Art Company. Commemorative postage stamps were issued to celebrate the fair, both in the U.S. and in other nations. Some New York license plates also had slogans advertising the fair. Several hotels were developed nearby to accommodate fair visitors, and public transit and roads to the fair were also upgraded. An information office was established to answer visitors' questions. Private businesses promoted their products for the fair, and discounted tickets were also sold in advance of the opening.

1961 and 1962

William Whipple Jr., the fair's chief engineer, said in September 1960 that exhibitors would be able to begin erecting pavilions by 1962. Construction of the first building, an administration structure, began in August 1960 and was finished in January 1961. In early 1961, almost all of Flushing Meadows–Corona Park was closed to accommodate the fair's construction, and the Long Island Rail Road (LIRR)'s World's Fair station opened. Workers also moved trees and diverted part of the Flushing River underground. By April 1961, thirty-four countries had agreed to participate, and the city agreed to spend $24 million improving the park. The WFC announced in May that it would proceed with the planned amusement area around Meadow Lake, hiring the billionaire H. L. Hunt to operate the rides.

Fountains and a reflecting pool mark the approach to the Unisphere.

By mid-1961, the WFC had privately raised $25 million and was predicting a $53 million profit. The groundbreaking ceremony for the first 1964 Fair pavilion took place that June. The WFC struggled to sell the remaining bonds and had sold around $30 million in promissory notes (three-fourths of the total) by the end of 1961. During the fair's construction, civil-rights activists expressed concerns that the WFC's leadership included very few African Americans. Even after Moses met with activists, he still did not appoint African Americans to leadership positions, which attracted controversy amid the ongoing civil rights movement. The WFC finally hired an African American executive to the fair's international division in 1962, but continuing complaints about discrimination prompted New York governor Nelson Rockefeller to form a committee to investigate these complaints.

Meanwhile, by the beginning of 1962, more than 60 nations, the governments of 30 U.S. states, and 50 companies had agreed to exhibit at the fair. The WFC also created a scale model of the fairground. The LIRR constructed a siding from the Port Washington Branch, allowing trains to deliver material. At a luncheon in March 1962, Moses lamented that construction had fallen behind schedule. The WFC had allocated $6 million to advertise the fair by mid-1962, and Deegan predicted that the fair's participants would spend another $75 million of their own money on promotion. The WFC also tried to attract Latin American countries to the fair. By late 1962, exhibits for the fair were being finalized, and many pavilions were under construction. Either 68 or 71 nations had announced plans to exhibit at the fair by then, though only 35 countries had formally leased space. Additionally, 125 businesses had expressed interest, and the WFC had finished installing utilities on the fairground. At the end of 1962, a small number of state and international pavilions were being built, while work in the industrial and transportation areas was further along. Groundbreaking ceremonies were hosted for many of the international pavilions.

1963 and 1964

A fountain in the fair

The World's Fair Housing Bureau was formed in early 1963 to coordinate the development of hotel rooms for the fair. Despite commitments from various state and national governments, not all of these governments were actively constructing pavilions. The WFC also wanted to hire 40 concessionaires and sell 70 intellectual property licenses, which the corporation hoped would raise $130 million. On April 22, 1963, exactly a year before the fair was to open, U.S. President John F. Kennedy activated a countdown clock to the fair's opening. At the time, only 48 of the 200 proposed buildings had even started construction, even though all major structures had to be under construction by May 1963. The press building opened that May, and an insurance syndicate was formed that June to protect the exhibits. By mid-1963, civil-rights groups were protesting the lack of racial diversity in the fair's development and filed a lawsuit to halt construction. Moses denied rumors that construction had fallen behind schedule.

Materials from overseas began arriving in August 1963, though work on 50 structures still had not started by the next month. Moses was increasingly hostile toward journalists who doubted that the fair would be completed on time. There were also disagreements over whether students should receive discounted tickets, which Moses opposed; he was ultimately forced to sell discounted tickets. The first pavilion, the Port Authority Heliport, opened in October 1963. The same month, Hunt resigned as the amusement area's operator, following disagreements over ticket prices and rides. There were also other issues, such as labor strikes, exhibitor withdrawals, and continuing racial tensions. Despite these difficulties, many pavilions were nearly completed by late 1963, and the WFC had sold 3.8 million advance tickets by year's end. To draw attention to the fair, the WFC displayed models of exhibits at the Time-Life Building in Manhattan. Exhibits were installed through late 1963 and early 1964, and the WFC also borrowed $3 million to fund the fair's completion.

In January 1964, the Chicago Tribune wrote that the site was filled with raw material, incomplete building frames, and unpaved roads. That month, WFC officials said that work on 26 buildings was behind schedule, and they sought to demolish a pavilion that would not be completed for the fair's opening. They also signed a document outlining how profits from the fair were to be used. By that February, most of the major pavilions and attractions were complete, but Whipple estimated that up to 10 pavilions would not be finished before the fair opened. The same month, the WFC stopped selling advance tickets, having sold 28 million tickets. There were still 4,800 workers on site in late March, when the state government began hiring people for the fair.

Opening

Entrance to the fair

The night before the fair opened, the TV series The Bell Telephone Hour broadcast an opening celebration. When the World's Fair officially opened at 9:00 a.m. on April 22, 1964, a college student from New Jersey was the first visitor. The opening was celebrated with speeches by Robert Moses, Nelson Rockefeller, and U.S. president Lyndon B. Johnson. During the ceremony, hundreds of civil rights activists organized a sit-in and were arrested. The civil-rights group Congress of Racial Equality (CORE) proposed a "stall-in" to block roads leading to the fair, but few activists participated. The opening ceremony ultimately attracted 90,000 attendees, less than half the predicted number, in part due to inclement weather. The WFC banned picketing on the grounds, prompting lawsuits from civil-rights groups; a federal judge later ruled that protesters could give out handbills to passersby. Many exhibitors did hire a racially diverse staff.

The New York Times wrote that 15 pavilions and three amusement attractions were not finished by opening day. One pavilion, the Belgian Village, was not finished until the end of the 1964 season, though it did operate for part of 1964. Some pavilions could not open on schedule because the artifacts in the pavilions had been damaged, while others were incomplete. Exhibitors also accused workers of delaying some pavilions' construction to collect overtime pay. Three incomplete pavilions were abandoned completely, and work on other pavilions continued for several months after the opening.

An estimated 20 million people lived within 50 miles (80 km) of the fair, and as many as 120 million people could drive to the fair within an overnight drive. Deegan predicted at least 6.7 million foreign visitors, out of an estimated total of 70 million. The WFC predicted a daily attendance of 225,000, half of which would take the Long Island Rail Road or New York City Subway. Visitors 13 and older were charged the adult admission price of $2.00 (equivalent to $19.65 in 2023), while children 2–12 years old were charged $1.00 (equivalent to $9.82 in 2023). The WFC sold discounted tickets in packs of 20; some major companies like AT&T bought hundreds of thousands of tickets for employees. Students paid 25 cents if they visited with their teachers, and the WFC sold certificates that allowed a class of 25 students to enter the fair for $6.25. Moses predicted that the fair would sell $120 million worth of tickets, with a net profit of $40 million. Initially, city officials predicted that people would spend $5 billion in the city due to the fair, an estimate that was later reduced to $2.5 billion.

Though the fair employed up to 20,000 people, the WFC employed only about 180 to 200 people directly. Conversely, there were 3,000 Pinkerton employees on the grounds, including firefighters, police officers, medics, matrons, and ticket sellers. Nine garbage trucks, nine EMS vehicles, 25 police cars, and three fire engines traveled the fairgrounds, and nine city health inspectors examined all restaurants on the fairground. United Press International was the fair's official photographer, while United World Films had exclusive rights to produce and publish films about the fair. Allied Maintenance was responsible for maintenance and also handled deliveries during the 1964 season (the Rentar Corporation took over deliveries during 1965). Other companies, such as Hertz and Cities Service, sponsored free services or events. Exhibitors were required to be open from 10 a.m. to 10 p.m. daily, though the fair itself opened at 9 a.m. Many exhibitors prepared and cleaned their exhibits throughout the night; the Vatican pavilion was the only attraction with a live-in caretaker.

Fairground

Aerial views of the fair grounds during the 1964 World's Fair.

The fairground was divided into five regions. Exhibits for individual U.S. states and the U.S. federal government were concentrated in the Federal & State Area at the center of the fairground, near the Unisphere. The international exhibits were concentrated in the International Area, a group of pavilions surrounding the Unisphere. Industry pavilions were concentrated around the Industrial Area on the eastern end, near the Van Wyck Expressway. The Transportation Area was on the western side of the fairground. South of the Long Island Expressway, connected with the rest of the fair only via one overpass, was the Lake Amusement Area (known as the Lake Area during 1965). Eight gates provided access to the fairground.

The 1964 World's Fair had 139 pavilions on opening day, in addition to 34 concessions and shows. Of the pavilions and shows, either 121 or 124 were free, and the rest required an additional payment. Scattered across the fairground were 5,300 trees, 3,500 benches, 1,400 telephones, and 60 mailboxes. There were also bank branches, picnic areas, and restrooms. Accessible bathrooms, wheelchair rental stands, and Braille guidebooks were provided for disabled visitors. About one-tenth of the exhibits charged an additional fee, though most pavilions were free to enter. There were also several hotels nearby, albeit few campgrounds. A spokesman for the 1964 fair said the exposition was supposed to be "cultural and sophisticated", and Deegan claimed that the exposition would be the "greatest single event in history".

Pavilions

Main article: List of 1964 New York World's Fair pavilions

The Wisconsin Pavilion, which has since been relocated to Wisconsin

The different sections were designed in various architectural styles. Some pavilions used experimental designs. For the most part, structures were designed so they could be demolished easily after the fair and rebuilt elsewhere. Anyone could rent exhibition space if they could afford to rent the land and pay for their pavilion. Thus, the space was dominated by large corporations. Private companies spent a combined $300 million on their pavilions, and companies such as General Motors and Ford Motor Company spent tens of millions of dollars apiece.

Twenty-three state pavilions were built. The fair included exhibits from 24 states, including Alaska, Florida, Hawaii, Illinois, Louisiana, Maryland, Minnesota, Missouri, Montana, New Jersey, New York, Oklahoma, Tennessee, Texas, West Virginia, Wisconsin, and the six states in New England. In addition, New York City had its own pavilion, as did the neighborhood of Hollywood, Los Angeles. Nineteen of the state pavilions were in the federal and state section, and three of the other four state pavilions were clustered around Meadow Lake at the southern end of the fair. None of the state governments had to pay rent for the pavilion. State governments still had to pay for their own pavilions, and 20 states and Washington, D.C., did not pay for exhibits at the fair.

There were 45 pavilions in the International Area, most of which featured foreign countries' exhibits. Sources disagree on whether 65 or 66 nations set up exhibits. Including nations represented by a particular region the fair featured attractions from 80 countries. Foreign nations rented the land from the WFC, and they also paid for lodging, food, and other expenses for their staff. Many nations from Asia, Africa, and Central and South America, though relatively few from Europe, exhibited at the fair. Other countries boycotted the fair because the BIE had not approved it. Some BIE members did host unofficial exhibits or were represented by private companies' exhibits, and several countries were represented solely by an industry exhibit. Still other countries were represented by regional pavilions, such as those for the Caribbean and Africa. Many of the international pavilions also sold merchandise.

The Industrial Area had 43 pavilions in total, representing nearly 350 American companies. Corporations also rented land from the WFC, except for religious organizations, which were given the land for free. Large firms such as Bell Telephone Company, DuPont, IBM, Kodak, RCA, The Travelers Companies, and US Royal Tires, participated. The 1964 fair included few companies in the food, chemical, tobacco, cosmetic, or pharmaceutical industries. Transportation companies, such as car manufacturers Chrysler, Ford, and General Motors, displayed products in the Transportation Area section of the fairground. Several of the industry pavilions offered free merchandise or other sponsorships, which often succeeded in attracting customers. Moses also provided about 7 acres (2.8 ha) for religious groups and invited every major sect of Christianity to the fair. Eight religious pavilions were built, each of which was staffed by volunteers. Some exhibits were never built but were displayed on official maps, causing confusion among visitors.

Amusement

In addition to pavilions, the Lake Area included several rides and attractions during 1964. There was a circus operated by John Ringling North, which performed in a 5,000-seat tent. Nearby was a wax museum. The amusement area also included attractions such as a children's play area, puppet show, and porpoise show. A lake cruise traveled off the shore of Meadow Lake, and an early log flume ride was also installed at the fair. There was a 10,000-seat outdoor theater in the amusement area as well. The Flushing Meadows Carousel was formed through the combination of two Coney Island carousels. The Florida pavilion took over much of the Lake Area in 1965, and two amusement areas called Carnival and Continental Park were added at that time. Outside the Lake Area were the Fiesta Playground and the Sculpture Continuum Playground.

Transportation

For exhibits by transportation companies at the fair, see List of 1964 New York World's Fair pavilions § Transportation pavilions.

Monorail at the 1964 fair

Within the Lake Area, the American Machine and Foundry Company (AMF) constructed a monorail with two 4,000-foot-long (1,200 m) loops. The line was a suspended monorail with seven 80-passenger trains, each two cars long. Another transport attraction at the fair was the Swiss Sky Ride, a ski lift or aerial gondola running 1,875 feet (572 m) between the Korean and Swiss pavilions, which was sponsored by the Swiss government. During the 1964 season, visitors could rent one of 147 Greyhound Escorters, driven by chauffeurs. In addition, 61 Glide-a-Ride trolleys served the fairground during both seasons.

The fairground was accessed by numerous highways on Long Island, which had been upgraded to provide access to the fair. An expanded World's Fair Marina provided access via Flushing Bay. There was a short-lived ferry service to Manhattan, as well as other ferry routes to various ports in New York and New Jersey. A helicopter shuttle ran to the Pan Am Building and Lower Manhattan heliports. Local buses, airport shuttle buses, the subway, and the LIRR all stopped near the fairground. The R33S and R36WF subway cars were constructed for the 7 route, which ran to the Willets Point station near the fair. Although a dedicated subway line had served the 1939 fair, no such route was built for 1964. A luxury bus service carried "distinguished guests" to and from the fair. There were 20,000 parking spaces, and shuttle buses transported people from the parking lots to the main gate.

Other features

Space Park, as it appeared in December 1963 before its official opening

The fairground had nine fountains and eleven reflecting pools. Placed at the center of the fair was the Unisphere, which was constructed by American Bridge Company. Weighing 700,000 pounds (317,515 kg), the globe was created to symbolize "man's achievements on a shrinking globe in an expanding universe". At the far east end of Flushing Meadows Park, the Fountain of the Planets (Pool of Industry) could spray water up to 625 feet (191 m) high, and there were nighttime fireworks displays. The Unisphere and Fountain of the Planets are connected via the Fountain of the Fairs. Several other fountains were placed throughout the grounds.

The fairground had 28 mi (45 km), 39 mi (63 km), or 40 mi (64 km) of paths. There were also numerous plazas. Throughout the fairground were information booths operated by Greyhound Bus. Near the northern end of the fairground was a customs building, where customs officials examined items bound for the fair's international pavilions and concessionaires. There was also a press building next to the Grand Central Parkway, with a reporters' bullpen, offices for major news agencies, a press conference room, and offices. On the fairground was the 22-room Atomedic Hospital, which was staffed 24 hours a day, in addition to five first-aid stations. About 300 closed-circuit televisions were installed across the fairground, and a film studio for independent filmmakers was also built. Pinkerton matrons operated a lost-child bureau with activities and games for lost children.

Culture

Cuisine

Main article: Food at the 1964 New York World's Fair

The restaurant had a large number of eateries. When the fair opened, it had 110 to 114 eateries, including 61 within pavilions. The World's Fair had 31 standalone restaurants operated by the Brass Rail firm (including 6 specialty restaurants and 25 fine-dining restaurants). Restaurant Associates was supposed to have operated several restaurants at the World's Fair, but its contract was canceled because of a dispute over signage, and the Brass Rail instead received the contract. Brass Rail's restaurants were designed by Victor Lundy and were shaped like bunches of white balloons. For the 1965 season, the fair had 198 restaurants, and many meals cost 99 cents because any food below $1 could not be taxed. Brewers spent millions of dollars convincing exhibitors to sell their beers.

Foods sold at the fair included Belgian waffles, 7 Up drinks, dumplings, pizza, tacos, kimchi, Turkish coffee, tandoori chicken, and hummus. Many of these foods became popular in New York City and in the U.S. after the fair closed. The Thailand pavilion included North America's first Thai restaurant, while the Malaysia pavilion served Tiger Beer and satay.

Performances

A puppet show building at the fair

There were more than 30 entertainment events at the fair. Moses disdained carnival-style attractions, saying that there would be "no whiskered women, tattooed giants, nudes on ice. [...] The appeal of a world's fair should not be entirely below the Adam's apple." As the WFC's president, Moses also reserved the right to ban any project from the fair. Shows that appealed to prurient interests, like seminude dancing, were thus ruled out. An exception was an adult-only musical puppet show, Les Poupées de Paris. The lack of adult shows may have contributed to the amusement area's unpopularity in 1964. The ban on adult shows was relaxed in 1965; a striptease show in the Louisiana pavilion lasted two performances before it was canceled.

Musical and theatrical performances took place at several pavilions, and there were fireworks and water shows at the Pool of Industry. Among the theatrical shows were the revues To Broadway With Love, Wonder World (which lasted two months), and Summer Time Revue. DuPont presented a musical revue in its own pavilion, The Wonderful World of Chemistry. A controversial minstrel show in the Louisiana pavilion was canceled after two days. International pavilions, such as the African, Indonesia, and Spain pavilions, also hosted dance and other live shows.

Sporting events, such as wrestling, boxing, gymnastics, fencing, judo, and weightlifting, took place at the fair. Some of these events were presented as part of the 1964 Summer Olympics tryouts in New York City. The Dick Button's Ice-Travaganza ice-skating show was hosted at the New York City Pavilion. The Auto Thrill Show was hosted in the Transportation Area. A parade traveled across the fairground every day, and there were fireworks and water shows at the Pool of Industry. Some shows, like To Broadway With Love and the Ice-Travaganza, closed within a few months of the fair's opening.

Music and film

The fairground itself did not emphasize music, although a "World's Fair Festival" did take place at Lincoln Center in Manhattan. Popular and classical music was broadcast from 800 lampposts on the fairground. The fair also had an official band: Cities Service's World's Band of America, a 50-piece ensemble headed by conductor Paul Lavalle. Other ensembles performed throughout the fair, including Guy Lombardo, the United States Marine Band, and the United States Navy Steel Band. During 1964, the amusement area hosted rock-and-roll concerts that were popular among local youth; Moses, who abhorred the genre, canceled these concerts when he learned about them.

The fairground contained about 40 theaters, most of which were housed within pavilions. Fifty films were produced for these pavilions. There were several religious films including Parable at the Protestant and Orthodox pavilion; Man in the 5th Dimension at the Billy Graham pavilion; and Man's Search for Happiness at the LDS pavilion. The Johnson's Wax pavilion screened a film titled To Be Alive!, which later won an Academy Award. The WFC also produced a film promoting the fair in seven languages in 1964.

Art and artifacts

Originally, the WFC made no effort to coordinate art exhibitions at the 1964 World's Fair, and Moses did not wish to subsidize art exhibits on the fairground. Moses did not want to pay for an art pavilion himself. After commentators spoke about the lack of art at the fair, Moses changed his mind, allowing states to display art in their own pavilions. For example, ten pop artists designed art for the New York State Pavilion's Theaterama. The Fine Arts pavilion displayed 250 contemporary artists' work.

Foreign nations displayed art and artifacts at the fair as well. Spain displayed works from artists such as Francisco Goya, El Greco, Joan Miró, Pablo Picasso, and Diego Velázquez. The United Arab Republic displayed artifacts from several historical eras; the Sudan pavilion displayed a 1,300-year-old Madonna fresco; the Jordan pavilion showcased the Dead Sea Scrolls; and the Republic of China pavilion displayed Chinese jade. The Mexico pavilion displayed art during the 1965 season as well.

There were 95 sculptures at the fair, including five permanent sculptures. Four of the sculptures remain in Flushing Meadows-Corona Park: Forms in Transit by Theodore Roszak, Freedom of the Human Spirit by Marshall Fredericks, Free Form by José de Rivera, and Rocket Thrower by Donald De Lue. Another sculpture, Armillary Sphere by Paul Manship, was vandalized, and the remaining pieces stolen in 1980. The non-permanent sculptures included Pietà by Michelangelo, at the Vatican pavilion, which was one of the fair's most popular exhibits.

Consumer products

The 1964 World's Fair showcased many consumer products. For example, color television was popularized at the fair. The Ford Mustang was launched shortly before it was displayed at the fair, and technologies such as Picturephones and IBM computers also were introduced there. Other innovations never became popular, such as thermonuclear fusion power plants, undersea hotels, underground houses, jet packs, and Corfam synthetic leather.

Operation

1964 season

Looking south from the Unisphere toward the New York State Pavilion

In its first week, the fair recorded nearly a million visitors, and during the first month, the fair saw 150,000 daily visitors (60 percent of initial projections). Famous and wealthy visitors, including government officials and heads of state, visited the fairground. Several problems arose through the course of the fair. Disputes occurred over labor unions, maintenance fees, and a mural in the Jordan pavilion. Thefts and breakdowns also occurred regularly. Exhibitors complained about high rental rates and insufficient maintenance of the fairground. The Lake Amusement Area was especially unprofitable; it had few attractions and could not be easily accessed. Many of the most popular exhibits charged an additional fee, and visitors often did not bring enough money for food or for higher-priced exhibits. The WFC unsuccessfully attempted to entice visitors by offering discounts to taxi drivers and improving fairground lighting, and the WFC was planning promotional campaigns by the end of June. The J. Walter Thompson Company advertised the fair in New York City–area media.

By mid-1964, some exhibitors had gone out of business, including the two largest shows in the Lake Amusement Area. Employees, especially the 4,000 college students who worked the fair, faced occupational burnout. Despite the troubles, the WFC was able to buy back one-quarter of its promissory notes in mid-1964, and exhibitors publicly downplayed their grievances with the WFC to attract visitors. The industrial and international pavilions were profitable compared with the amusement area, and Moses said he was unbothered by the Amusement Area's financial troubles. The fair had recorded 13.4 million visitors at the season's midpoint in July 1964. The fair recorded 5.8 million visitors that August, the highest of any month during the 1964 season. Nearly half of visitors came from the New York City area, and would-be visitors expressed fears about crime and unrest. Attendance declined significantly in September, when children returned to school. In response, Moses complained that journalists were tarnishing the fair's reputation and accused them of suppressing attendance. An exhibitors' committee made several recommendations for increasing attendance, but Moses rejected nearly all the suggestions.

The fair closed for the season on October 18, 1964. There had been 33 million visitors, including 27 million who paid admission. Several reasons were cited for the reduced attendance figures, including crime fears, long queues, and high prices. Additionally, the WFC had paid several contractors much more than they should have. Moses had projected a $53 million surplus, but the surplus stood at only $12.6 million at season's end, barely enough to pay back the city government. The WFC reduced its estimated total profit for both seasons to $30 million. Still, many industrial pavilions had long queues and tens of thousands of daily visitors, and the General Motors and Vatican pavilions each saw more than 10 million visitors during 1964. The New York Times reported that many international exhibitors were pleased with the fair but wanted someone else to operate it.

Off-season

Exhibitors were obligated to maintain and guard their pavilions during the off-season. Ahead of the 1965 season, the WFC planned to spend $1.3 million on renovations, and 3,000 workers began winterizing the fairground in November 1964. The WFC planned to create a promotional film and advertisements for the fair, and it kept some of the paths and fountains illuminated. Thomas Deegan said several existing pavilions would be renovated, and a dozen new restaurants would be added. WFC officials claimed that attendance would rise during 1965, anticipating 37.5 million visitors during that season. The prediction was unrealistic: previous world's fairs typically had fewer visitors during their second season, and no new pavilions were being planned. Nonetheless, the fair would become unprofitable if it failed to reach its attendance goal.

Moses told Mayor Wagner in November 1964 that the WFC might not be able to repay the $24 million from the city. In January 1965, several of the WFC's financial advisors quit after bitter arguments over finances, and the WFC requested $3.5 million to reopen the fair. City controller Abraham Beame began auditing the WFC, and Deegan's public-relations firm (which had received $300,000 annually for four years) was fired. The WFC's internal audit had found a $17.5 million deficit, but Beame's audit was delayed for several months due to lawsuits. By February 1965, at least fourteen exhibitors from the 1964 season had declared bankruptcy. Franklin National Bank offered to lend the WFC $3.5 million, but the WFC indicated that it needed only $1 million. Though city officials wanted to oust Moses as the WFC's president, he ultimately retained his position. When Moses said he would spend $6.4 million to renovate Flushing Meadows Park before repaying debts, the WFC's finance chairman resigned. Two Marine Midland Bank branches provided a $1 million loan to the WFC that March, which the WFC repaid two months later.

Meanwhile, during the off-season, several exhibitors renovated and modified their pavilions, spending over $7 million in total. At least fifty exhibits were upgraded, and five major attractions were added, along with free entertainments and science demonstrations. New artwork and films were added to several pavilions. The struggling Lake Amusement Area became the Lake Area. The WFC asked the New York City Transit Authority to increase subway service to the fair, and 26 exhibitors collaborated on a promotional campaign. Fifty-three exhibitors proposed that the first week of the 1965 season be called Fair Festival Week, to which Wagner agreed. The WFC produced a promotional film, To the Fair, and individual exhibitors also produced their own films. To reduce its debts, the WFC decreased its budget for the 1965 season and fired some employees.

1965 season

West Berlin pavilion

More than 150,000 people attended the reopening of the fair on April 21, 1965. Ethiopian long-distance runners Abebe Bikila and Mamo Wolde participated in a ceremonial half marathon, running from Central Park in Manhattan to Singer Bowl at the fairground. In contrast to 1964, there were no protests when the fair reopened, and almost all exhibits were completed on time. For the 1965 season, adult admission fees were raised to $2.50 (equivalent to $24.17 in 2023). During the first 20 days of the 1965 season, attendance declined 22 percent compared with the same time period in 1964, putting many exhibitors in danger of bankruptcy. In addition, fewer visitors were paying at the gates, as more than half of visitors carried advance tickets. Exhibitors requested that admission fees be reduced and that a reduced-price evening admission ticket be sold. Moses refused both proposals, and several exhibitors threatened to close their pavilions before reneging.

At the beginning of the 1965 season, there were issues such as race-related protests, Vietnam War protests, a controversy over a racially insensitive song in one paviluon, and disputes between Jewish and Arab exhibitors. Vandalism also increased due to the reduced police presence, and a fairgoer was killed that May. WFC officials also tried to invalidate their January 1964 agreement for disbursing the fair's profits, and exhibitors continued to lose money due to lower-than-expected attendance. Comparatively few visitors attended during evenings, but the WFC again rejected a proposal for discounted evening admission in July 1965. Despite increased attendance in mid-1965, the fair continued to record decreased revenue compared with 1964. Many exhibitors recorded substantial losses from the costs of their pavilions. By August 1965, the WFC was devising plans to clear the fairground after the fair, though 13 exhibitors had declared bankruptcy and could not afford to demolish or move their pavilions.

Beame's interim report, published at the end of August, found that the WFC had squandered money by not awarding contracts through competitive bidding and by spending nearly all of its funds on expenses incurred before and during 1964. Despite Moses's denials of wrongdoing, Queens district attorney Frank D. O'Connor opened a criminal inquiry into the WFC shortly afterward. Moses also installed highway signs promoting the fair and refused to remove them, even after city traffic commissioner Henry A. Barnes called the signs a safety hazard. By mid-September, estimates of the fair's total attendance had been reduced from 70 to 50 million. Pope Paul VI visited the fair on October 4, 1965, during the first-ever papal visit to the United States. Toward the end of the 1965 season, there was a sustained increase in attendance, and exhibitors worried that overcrowding would create a bad impression.

The fair ended on October 17, 1965, setting an all-time attendance record of 446,953 on its last day. The fair's final day was chaotic, with reports of vandalism and theft. In total, the fair had recorded 51,607,448 admissions, seven million more than the 1939 fair and ten million more than Expo 58. The GM and Vatican pavilions had been the most popular. Nonetheless, the fair had a deficit of up to $40 million at the time of closure. The New York Times wrote that the fair had underperformed expectations in part because of Moses's stubborn attitude and refusal to take advice.

Aftermath

Demolition and site use

Moses predicted that the WFC would have to spend $11.6 million to clear the site. He recommended that most pavilions be demolished after the fair ended. By mid-1965, the WFC proposed preserving 19 structures, while the remaining pavilions were offered to anyone who could afford to relocate it. Several exhibitors chose to sell off their buildings due to the high cost of demolition, including U.S. Steel and Thailand. In other cases, exhibitors sold off the contents of their pavilions, or people offered to salvage specific parts of pavilions. Any other buildings had to be demolished within 90 days of the fair's closure. Most pavilions were demolished and dumped into Flushing Bay. Demolition began the day after the fair closed; by November, the site was filled with "rubbish and rats".

Moses also suggested that the Triborough Bridge and Tunnel Authority spend $6.3 million to convert the fairground into a park. The city government took over Flushing Meadows Park from the WFC in June 1967, though few improvements were made to the park for several years. The paths and their names remained almost unchanged through the 21st century.

Profitability and subsequent fairs

Surplus revenue from the fair were to have been used for improving Flushing Meadows Park. By the end of the fair, the WFC had defaulted on 60 percent of the bonds it had issued. Many of the fair's restaurants broke even. In part because of the 1964 fair's unprofitability, many industrial exhibitors were loath to sponsor major exhibits at the next world's fair (Expo 67 in Montreal), and two other American cities withdrew proposals for world's fairs in the 1960s and 1970s. Because of the "mistakes made in New York", Expo 67's organizers invested heavily in amusement attractions (which later became La Ronde amusement park), and they sought positive press coverage—a significant departure from Moses's approach.

Remaining pavilions

Structures at Flushing Meadows–Corona Park

Aerial view of some remaining structures in Flushing Meadows in 2004, including the New York State Pavilion in the foreground and the Unisphere in the background

Preserved at the center of the park is the Unisphere, which is a New York City designated landmark. The Column of Jerash, an ancient column of Jordan, stands near the Unisphere, while a stone bench marking the site of the Vatican pavilion stands east of the main fountain. Near the Unisphere is the New York City Pavilion, which hosts the Queens Museum and continues to display Panorama of the City of New York, created for the 1964 fair. Also nearby is the New York State Pavilion, which is largely unused as of 2024; the State Pavilion's former Theaterama is used by the Queens Theatre in the Park. The U.S. Post Office pavilion became a skating rink, then a warehouse.

In the northwestern part of the park, the New York Hall of Science was preserved as a museum and was expanded in 2004. The Hall of Science includes two rockets from the fair's Space Park. The Winston Churchill Tribute became the aviary for the Queens Zoo. Nearby is the Flushing Meadows Carousel. The Port Authority heliport and pavilion became Terrace on the Park, a banquet hall. The World's Fair Marina, built for the 1939 fair and expanded for the 1964 fair, still operates along Flushing Bay. A plaque marks the site of the Garden of Meditation. Other buildings remained for several years before being demolished. The Travel and Transportation Pavilion was destroyed in 1967 after a failed conversion to a fire station, and the Federal Pavilion was demolished in 1977 after extensive deterioration. The Aquacade amphitheater, originally built for the 1939 fair, also decayed extensively and was ultimately demolished in 1996. The Singer Bowl became a sports venue. The Louis Armstrong Stadium replaced half of the Singer Bowl in 1977, while the remainder of the venue was preserved as a grandstand, which was razed in 2016.

Structures relocated

The Coca-Coca Pavilion's carillon was moved to Stone Mountain in Georgia.

Other structures were relocated at the end of the fair. Of the international exhibits, Austria's pavilion became a ski lodge in western New York; the Paris pavilion became a bowling alley in East Stroudsburg, Pennsylvania; Malaysia's pavilion was donated to the University of Plano; Japan's pavilion went to Manhattanville College; and Spain's pavilion was relocated to a hotel in St. Louis, Missouri. In the state area, the Wisconsin Pavilion became a radio station in Neillsville, Wisconsin, and the New England Pavilion was moved to a mall in South Portland, Maine. The Golden Rondelle Theater was moved to the city of Racine, Wisconsin. Of the religious pavilions, the Christian Science pavilion was moved to Poway, California, while the Mormon pavilion became an LDS temple in Plainville, New York. The US Royal Ferris wheel became the Uniroyal Giant Tire in Allen Park, Michigan.

In some cases, only part of a pavilion was preserved due to the high cost of preserving the full pavilion. Part of the Vatican pavilion was moved to Saint Mary Mother of the Redeemer Church in Groton, Connecticut, while the Coca-Cola pavilion's carillon was moved to Stone Mountain near Atlanta, Georgia. The Railroad Museum of Long Island in Riverhead, New York, inherited the LIRR pavilion's miniature railway, and the IBM pavilion's Mathematica: A World of Numbers... and Beyond exhibit is at the Henry Ford Museum of American Innovation in Dearborn, Michigan. Travelers Insurance sent one Triumph of Manexhibit to the COSI museum in Columbus, Ohio. Arches from the General Mills pavilion were sent to Warwick, Rhode Island; Huntsville, Ohio; and West Hempstead, New York. The dinosaur replicas from the Sinclair Oil pavilion were also dispersed across the U.S.

Several attractions at the 1964 fair became amusement park rides. The GE pavilion's Progressland carousel was moved to the Magic Kingdom theme park at Walt Disney World in Bay Lake, Florida; the It's a Small World ride was shipped to Disneyland in Anaheim, California; and the Swiss Skyride was moved to Six Flags Great Adventure in Jackson Township, New Jersey. The Belgian Village carousel became Le Galopant at La Ronde in Montreal, Quebec, though the ride no longer operates as of 2023.

Impact

Reception

Contemporary

Before the fair opened, The Washington Post called the fair a "mixed boon" to New York City because BIE members had boycotted the fair. The differing architectural styles of the fair attracted criticism even before the official opening. John Canaday of The New York Times wrote in 1961 that he would be surprised if the fair were not "a mess and disaster architecturally". In late 1963, just before the fair opened, an Associated Press reporter wrote that the 1964 fair was "a big city cousin to the familiar county fair" but that it was also becoming one of the United States' most comprehensive exhibits of industries and businesses. A British newspaper called the fair "a great big grown-up Disneyland".

When the fair opened, Life and Ebony magazines called it one of mankind's largest expositions, and Newsweek wrote that the attractions and pavilions were "hard to resist". Several writers criticized the large number of industrial exhibits at the fair, and observers also complained about the wastefulness of the pavilions' temporary nature. There was also negative commentary on the conflicting architectural styles. Ada Louise Huxtable of The New York Times wrote that the fair was architecturally "grotesque", while other critics lambasted the structures as befitting Coney Island or a street fair. The critic Vincent Scully Jr. derided the fair in a Life magazine article, "If This Is Architecture, God Help Us". Conversely, Time magazine wrote in June 1964 that the fair had "grace and substance" despite the presence of some "tacky" attractions, a sentiment repeated in The Atlanta Journal-Constitution. The American Institute of Architects gave awards to several pavilions for "excellence in design". A Newsday reporter described the fair as "both garish and subtle, tawdry and tasteful, ephemeral and lasting".

Retrospective

A Bloomberg reporter wrote in 2013 that, although the 1964 World's Fair was ostensibly themed to "peace through understanding", it was dominated by its corporate exhibitors. For the fair's 50th anniversary, Smithsonian Magazine wrote that the fair's "limitless faith in material and social progress" had been counteracted by social upheaval in the U.S. that took place during the mid-1960s.

Influence

The fair was credited with increasing tourism in New York City even before the formal opening. The city's hotels were often overcrowded during the fair's 1964 season, and garages were also overcrowded as well. Broadway theaters recorded increased ticket sales, as did other visitor attractions such as the Empire State Building and Radio City Music Hall. Though major department stores and restaurants saw increased business during the fair, other merchants reported no measurable impact on their business. To avoid the crowds, many local residents also left the city during the fair. At the end of the first season, the city's Convention and Visitors Bureau estimated that the city had earned $400 million due to the fair. The Christian Science Monitor wrote in 1965 that the fair had only partially benefited the area's economy. After the fair ended, The New York Times estimated that the fair had increased local restaurant profits by 8%, while stores in Midtown Manhattan had seen an approximately 4% increase in profit.

The fair helped popularize several consumer products such as Belgian waffles and the Ford Mustang. The 1964 World's Fair included several exhibits and technologies that were later included in Disney parks, most notably Audio-Animatronics. Disney's other exhibits at the World's Fair—It's a Small World, the Carousel of Progress, and the Magic Skyway—were also incorporated into Disney parks.

See also

• List of world expositions
• List of world's fairs

References

Sources

• Alpert, Hollis (July 1964). "Guide to the New York World's Fair: There's Something for Everyone in the Family at the 1964-'65 New York World's Fair". Woman's Day. No. 7. p. 21-28. ProQuest 1815457600.
• Cotter, Bill; Young, Bill (July 21, 2008). The 1964–1965 New York World's Fair: Creation and Legacy. Arcadia Publishing. ISBN 978-0-7385-5745-8.
• Nicoletta, Julie (December 1, 2010). "Art Out of Place: International Art Exhibits at the New York World's Fair of 1964–1965". Journal of Social History. 44 (2): 499–519. doi:10.1353/jsh.2010.0066. ISSN 0022-4529.
• Samuel, Lawrence R. (August 30, 2007). The End of the Innocence: The 1964–1965 New York World's Fair (1st ed.). Syracuse University Press. ISBN 978-0-8156-0890-5.
• Stern, Robert A. M.; Mellins, Thomas; Fishman, David (1995). New York 1960: Architecture and Urbanism Between the Second World War and the Bicentennial. New York: Monacelli Press. ISBN 1-885254-02-4. OCLC 32159240. OL 1130718M.
• Tirella, Joseph (2013). Tomorrow-Land: The 1964-65 World's Fair and the Transformation of America. Lyons Press. ISBN 978-1-4930-0333-4.
• Wood, Norton, ed. (1964). New York World's Fair, 1964/1965: official souvenir book. Time, inc – via Internet Archive.
• "World's Fair '64: a Preview". Newsweek. Vol. 63, no. 2. January 13, 1964. pp. 43–45. ProQuest 1879126400.
• Your Guide to the Fair (PDF). The Travelers Insurance Companies. 1965.

Further reading

• Caro, Robert (1974). The Power Broker: Robert Moses and the Fall of New York. New York: Knopf. ISBN 978-0-394-48076-3. OCLC 834874.
• Gordon, John Steele (October 2006). "The World's Fair". American Heritage. Vol. 57, no. 5.
• Taylor, Alan (June 2, 2014). "1964: The New York World's Fair". The Atlantic. Retrieved May 27, 2024.

External links

• 1964/1965 New York World's Fair website – nywf64.com
• 1964/1965 New York World's Fair website – worldsfairphotos.com
• "New York World's Fair 1964–1965 Corporation records". New York Public Library. April 1, 2013.
• New York 1964–1965 World's Fair
• 1964–65 New York World's Fair Groundbreaking and Dedication Booklets Published by the New York World's Fair 1964–1965 Corporation to commemorate pavilion groundbreakings or dedications.