Christine Lucy Latimer is a Canadian experimental filmmaker known for her hybrid works using obsolete media and technologies (16mm, home video, etc.).[1][2][3]
Background
editGrowing up in a middle-class suburb just on the outskirts of Toronto with her artist mother and avid film and TV watching father during the 1990s (which she claimed each to be influences on her art), she attended at the Ontario College of Art and Design where her instructors were moving-image artists (active in Toronto two decades prior) who strictly identified themselves as either experimental filmmakers or video artists where as Latimer studied both mediums.[1]
Selected filmography
edit- Tender (2021)[4]
- House Pieces (2019)[4]
- C2013 (2014)[5]
- Physics and Metaphysics in Modern Photography (2014)[5][1]
- Nationtime (2013)[6][5]
- Jane's Birthday (2013)[5]
- Still Feeling Blue About Color Seperation (2015)[5]
- Lines Postfixal (2013)[5]
- The Magik Iffektor (2012)[5]
- The Pool (2011)[4]
- Fruit Flies (2010)[5]
- Focus (2009)[5]
- Ghostmeat (2003)[5]
- Mosaic (2002)[7][5]
See also
edit- Lost media
- Found footage
- Christina Battle - another female Canadian collage filmmaker similar in content
References
edit- ^ a b c A Conversation With Christine Lucy Latimer - Black Flash Magazine
- ^ Christine Lucy Latimer - Digital America
- ^ Christine Lucy Latimer, Media Archeologist - Pleasure Dome
- ^ a b c MUBI
- ^ a b c d e f g h i j k Letterboxd
- ^ Open City Cinema presents: Stephen Broomer vs. Toronto|Experimental Cinema
- ^ Fragile Systems: Films and Videos bu Christine Lucy Latimer|Cinema Studies Institute