Caihua (Chinese: 彩畫; pinyin: cǎihuà), or "colour painting", is the traditional Chinese decorative painting or polychrome used for architecture and one of the most notable and important features of historical Chinese architecture. It held a significant artistic and practical role within the development of East-Asian architecture, as Caihua served not only decoration but also protection of the predominantly wooden architecture from various seasonal elements and hid the imperfections of the wood itself. The use of different colours or paintings would be according to the particular building functions and local regional customs, as well as historical periods. The choice of colours and symbology are based on traditional Chinese philosophies of the Five Elements and other ritualistic principles. [1][2] The Caihua is often separated into three layer structures; timber or lacquer layer, plaster layer, and pigment layer.[citation needed]

Caihua
Caihua of the Forbidden City
Traditional Chinese彩畫
Simplified Chinese彩画
Literal meaning"Colour-painting"
Transcriptions
Standard Mandarin
Hanyu Pinyincǎihuà
IPA[tsʰàɪ.xwâ]

History

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The origins of Caihua can be traced back to the Zhou dynasty,[3][4] as the Zuo Zhuan and Guliang Zhuan detailed:

“秋,丹桓宮楹。禮,天子、諸侯黝堊,大夫倉,士黈,丹楹,非禮也。[5] (the duke painted red the pillars of [duke] Huan's temple. According to rule, King and royalty use dark and white, gentry use white, yeoman use yellow. Red pillars are against etiquette.)

The Rites of Zhou similarly records a ritualistic usage of motifs and colour, based on each respective aspects' corresponding symbolic value.

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See also

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References

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  1. ^ 孙大章 (1991). 中国古代建筑彩画 [Ancient Chinese Architectural Colored Drawings] (in Chinese). 建筑工业出版社. ISBN 7-112-07328-6.
  2. ^ 赵双成 (2006). 中国建筑彩画图案 [Chinese architecture painting design] (in Chinese). 天津大学出版社. ISBN 978-7561822494.
  3. ^ 刘敦桢 (Liu Dunzhen) (1991). 中国古代建筑史 [History of Chinese Ancient Architecture] (2 ed.). 中国建筑工业出版社; 第2版 (China Architecture Building Press). ISBN 9787112019298.
  4. ^ Flags, color, and the legal narrative : public memory, identity, and critique. Anne Wagner, Sarah Marusek. Cham, Switzerland: Springer. 2021. p. 129. ISBN 978-3-030-32865-8. OCLC 1253353500.{{cite book}}: CS1 maint: others (link)
  5. ^ 穀梁子. 春秋穀梁傳 . Vol. 莊公, 二十三年 – via Wikisource.
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