Boarding House Blues is a 1948 American musical race film directed by Josh Binney[1][2][3] which featured the first starring film role by Moms Mabley. It was the penultimate feature film of All-American News, a company that made newsreels for black Americans.[4][5]

Boarding House Blues
Original film poster
Directed byJosh Binney
Written byHal Seeger (writer)
Produced byE.M. Glucksman (producer)
StarringSee below
CinematographySydney Zucker
Production
company
Release date
  • 1948 (1948)
Running time
90 minutes
CountryUnited States
LanguageEnglish

Premise edit

Mom (Moms Mabley) runs a boarding house for struggling entertainers,[6][7] similar to the situation decades earlier when Mabley had lived in a boarding house for black entertainers in Buffalo, New York.[8]

When the boarding house is threatened with closure and all the tenants evicted due to non-payments, everyone gets together to put on a show to raise the money needed to save Mom and their home.[9] The plot functions as a showcase[8] for performance and comedy sketches and in the end enough money is raised to fend off the landlord.[6]

Legacy edit

The film was the first starring role for Mabley and showcased her "vaudeville-circuit comedy and captured her signature stances and expressions."[10] The film was also one of the early iterations of Mabley's "Moms" persona.[11]

In 1994, the National Film Theatre in London featured the film in their "A Separate Cinema" season, which focused on the pioneers of black cinema in the United States.[12] The film was cited as an example of "subversive" low budget black cinema in the 1940s.[12]

In 2022, the American Film Institute showed the film as part of the institute's "NYC's Postwar Film Renaissance" series.[13]

Cast edit

Soundtrack edit

  • John Mason and Company – "Gimme"
  • The Berry Brothers – "You'll Never Know" (Written by Harry Warren, lyrics by Mack Gordon)
  • Una Mae Carlisle – "Throw It out of Your Mind" (Written by Louis Armstrong and Billy Kyle)
  • Una Mae Carlisle – "It Ain't Like That" (Written by Hot Lips Page)
  • Stump and Stumpy[15] – "We've Got Rhythm to Spare"
  • Paul Breckenridge with Lucky Millinder band "We Slumber"
  • Anistine Allen with Lucky Millinder band – "Let It Roll"
  • Bull Moose Jackson with Lucky Millinder band – "Yes I Do"

Notes edit

  1. ^ African American Films Through 1959: A Comprehensive, Illustrated Filmography by Larry Richards, McFarland, 1998, page 258.
  2. ^ Astor Pictures: A Filmography and History of the Reissue King, 1933-1965 by Michael R. Pitts, McFarland, 2019, page 45.
  3. ^ "AFI|Catalog". catalog.afi.com.
  4. ^ "With All-American News (Sorted by Popularity Ascending)". IMDb.
  5. ^ pp. 3–4 Moon, Spencer Reel Black Talk: A Sourcebook of 50 American Filmmakers Greenwood Publishing Group, 1997
  6. ^ a b On the Real Side: A History of African American Comedy by Mel Watkins, Chicago Review Press, 1999.
  7. ^ "Documentary offers look at early black films". The Jackson Sun. 1990-06-08. p. 37. Retrieved 2023-06-20 – via Newspapers.com.
  8. ^ a b Icons of African American Comedy by Eddie Tafoya, ABC-CLIO, 2011, page 20.
  9. ^ "Boarding House Blues" (archived), Black Film Archive.
  10. ^ Beyond Blaxploitation by Novotny Lawrence, Wayne State University Press, 2016.
  11. ^ Cracking Up Black Feminist Comedy in the Twentieth and Twenty-First Century United States by Katelyn Hale Wood, University of Iowa Press, 2021, page 33.
  12. ^ a b "Homage to films noirs: David Robinson selects highlights from an NFT season celebrating the Pioneers of black American cinema" The Times, pp. 37, issue. 64952, 1994.
  13. ^ "NYC's Postwar Film Renaissance," American Film Institute, accessed July 9, 2022.
  14. ^ Icons of African American Comedy. Abc-Clio. 2 June 2011. ISBN 9780313380853.
  15. ^ a b c d e "A few early black films still survive". The News Journal. 1990-06-22. p. 74. Retrieved 2023-06-20.

External links edit