Wikipedia

Beat Me Daddy, Eight to the Bar

"Beat Me Daddy, Eight to the Bar" is a song written in 1940 by Don Raye, Hughie Prince, and Ray McKinley. It follows the American boogie-woogie tradition of syncopated piano music.

"Beat Me Daddy, Eight to the Bar"
Sheet music cover
Single by Will Bradley and His Orchestra featuring Ray McKinley
B-side"Beat Me Daddy, Eight to the Bar Pt. 2"
Released1940 (1940)
RecordedMay 21, 1940
GenreBoogie woogie
Length2:39
LabelColumbia (no. 35530)
Songwriter(s)

Background

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The title adopts 1940s' hipster slang coined by Raye's friend, Ray McKinley, a drummer and lead singer in the Jimmy Dorsey band in the 1930s. McKinley kicked off certain uptempo songs by asking pianist Freddie Slack (nicknamed "Daddy") to give him a boogie beat, or "eight to the bar". McKinley, in a discussion with the jazz writer George Simon relates, "We were playing one of them (a boogie, blues) one night at the Famous Door and two songwriters, Don Raye and Hughie Prince, were there. There was one part where I had a drum break, and for some reason or other that night, instead of playing the break, I sang out, "Oh, Beat Me, Daddy, Eight to the Bar." After the set, Hughie called me over to the table and asked if they could write a song using that break. I told him to go ahead and they offered to cut me in on the tune. That was fine with me."[1] For that reason Raye gave a partial songwriting credit to McKinley. The song was formally published under McKinley's wife's name, Eleanore Sheehy, because McKinley was under a songwriting contract with another publisher. The nickname "Daddy Slack" was also used in the 1941 recording by "Pig Foot Pete" with Don Raye singing in Slack's band. It is commonly accepted by jazz historians that this song is in reference and tribute to Peck Kelley, a 1920s jazz pianist.[2] However McKinley, talking to George Simon says, "A lot of people seem to think I was referring to Peck Kelley, and some years later Peck even thanked me for it. But, you know, I didn't have anybody - Peck or anybody else - in mind, just an imaginary piano player in an imaginary town."[1]

The song was first recorded in 1940 by the Will Bradley orchestra, featuring drummer McKinley on vocals and Freddie Slack on piano.[3]

Charts

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The single placed in Billboard's "Leading Music Box Records of 1941" at number ten.[4]

Recordings

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References

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  1. ^ a b Simon, George T., The Big Bands, 4th Edition, Introduction by Frank Sinatra,Schirmer Books, New York, 1981 p. 95
  2. ^ Yanow, Scott (2001). Classic Jazz. Backbeat Books. p. 127. ISBN 0-87930-659-9.
  3. ^ a b Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side B.
  4. ^ "Leading Music Box Records of 1941". Billboard. Vol. 54, no. 5. January 31, 1941. p. 66. ISSN 0006-2510.
  5. ^ "Beat Me Daddy (Eight to the Bar)". National Museum of American History. Retrieved February 18, 2020.
  6. ^ "Beat Me Daddy, Eight to the Bar - The Andrews Sisters | Songs, Reviews, Credits". AllMusic. Retrieved February 18, 2020.
  7. ^ "Millenium Anthology - Glenn Miller | Songs, Reviews, Credits". AllMusic. Retrieved February 18, 2020.
  8. ^ "1940-1941 - Woody Herman & His Orchestra | Songs, Reviews, Credits". AllMusic. Retrieved February 18, 2020.
  9. ^ "Get Happy! - Ella Fitzgerald | Songs, Reviews, Credits". AllMusic. Retrieved February 18, 2020.
  10. ^ "Lost in the Ozone - Commander Cody and His Lost Planet Airmen | Songs, Reviews, Credits". AllMusic. Retrieved February 18, 2020.
  11. ^ "RPM Top 100 Singles - September 16, 1972" (PDF).
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