Bapulal Nayak (25 March 1879 – 4 December 1947) was an Indian stage actor, director and manager of the early Gujarati theatre. Born into a family of traditional folk theatre performers, he joined the theatre company Mumbai Gujarati Natak Mandali at a young age. His acting was well received in his initial roles. He was involved in stage planning and managing and later became a partner in the company. He rose to fame and acted in several successful plays with Jaishankar Bhojak 'Sundari', who played female roles opposite him. He acted in plays written by Mulshankar Mulani, Gajendrashnakar Pandya and Nrisinh Vibhakar. He wrote and directed several plays and eventually bought the theatre company. After a career lasting five decades, he retired after his company suffered heavy loss with the advent of the cinema.
Bapulal Nayak | |
|---|---|
 Bapulal Nayak (left) with Jaishankar Bhojak 'Sundari' in a play Sneh-Sarita in 1915. They acted in several successful plays together. | |
| Born | Narayan Bhabhaldas Nayak 25 March 1879 Gerita, Mehsana, Baroda State, British India |
| Died | 4 December 1947 (aged 68) Undhai near Mehsana, Baroda State, British India |
| Occupation(s) | Stage actor, director, manager |
| Years active | 1890–1946 |
| Parents |
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Biography edit
Nayak was born in Gerita near Mehsana on 25 March 1879 and was named Narayan by his parents Bhabhaldas Khemchand Nayak and Narbhiben.[1][2][3] He studied till the fifth standard in the Gujarati school in his native village Undhai.[2][1] He was nicknamed Bapulal by his father.[3] In Februatry 1890, at the age of eleven, he quit the family tradition of performing Bhavai (folk theatre) and farming, and started his stage career with Dayashankar Visanji Bhatt's Mumbai Gujarati Natak Mandali for a salary of three rupees per month.[1][3][4] He was given a role of Jayant, son of Indra, in a play, Harishchandra (1890). He next appeared in Rajbeej (King's Progeny, 1891), a play written by Mulshankar Mulani specifically for him which premiered at the Geity Theatre in Bombay. It was successful.[4][5][3] His performance as Mularaja in Mularaj Solanki (1895) was well received.[1] In the next decade, he acted Ramcharitra (1989), Raman in Lakshadhipati-no Raman, Jayraj (1898) and other plays, as well as becoming involved in stage planning and the management of a theatre company. In 1899, he and Mulani became partners in the company, each holding a 6% share of the Mumbai Gujarati Natak Mandali.[4] He also acted in the acclaimed play, Ajabkumari (1899), opposite female impersonator actor Jaishankar Bhojak 'Sundari' who had recently joined their company. The pair soon rose to fame and acted together in several successful plays including Saubhagya Sundari (Fortunate Sundari, 1901),[2] Vikram Charitra (1901, directed by him), Dage Hasrat (1901), Jugal Jugari (Jugal the Gambler, 1903), Kamlata (1904), Sneh Sarita (1915), Madhubansari (1917).[1][4][5] Around the end of the 19th-century, he was guided by Mulshankar and Dayashankar Visanji.[5] He learned direction from Sorabji Katrak.[1] He trained many actors as well.[5]
Nand-Batrisi (1906) was a first play written by him which was well received. He also wrote Chandrabhaga (1909), a farce entitled Navalsha Hirji (1909), Anandlahari (1919) and Saubhagya-no Sinh (1925).[4] When Mulani's three plays failed consequently, he chose to stage nationalistic plays written by Nrisinh Vibhakar. These plays experimented with story and theme but enactment stayed unchanged. During this period, Mahatma Gandhi had arrived in India from South Africa and the Indian independence movement was gathering steam.[4][5] He acquired Mumbai Gujarati Natak Mandali in April 1922.[1][4][5][2]
Bapulal Nayak started directing his plays and started adapting literature into plays.[5] He chose Ramanbhai Neelkanth's play Raino Parvat written in 1911 and staged it in 1926. The songs of the play were written by Rasiklal Parikh and four shows of it were staged. Later he staged four plays written by Champshi Udeshi, four plays written by Gajendrashankar Pandya as well as many Parsi theatre styled plays. Gajendrashankar Pandya's play College Kanya was staged by Bapulal and it created controversy due to some of its dialogue about females; Narsinhrao Divetia, Chandravadan Mehta and Hansa Jivraj Mehta led the public protests against the play.[4]
With the advent of the cinema, the theatre started to lose its audience. Bapulal was forced to sell his company in 1938 due to it suffering heavy losses. In 1944, he tried to revive his company with the help of a financier. He retired after staging his last play Ladakvayo, written by Prafulla Desai, in 1946. He had acted in more than a hundred plays, directed forty seven plays and written six plays during his career.[1][4][2] He also wrote some poems.[1] He died on 4 December 1947 in Undhai near Mehsana, Baroda State.[2]
Reception edit
P. K. Nayyar, a columnist of Sanjvartaman daily of Bombay, called him "one of the best actors in the world" in 1917.[2] Rasiklal Parikh, Chandravadan Mehta and Pragji Dosa have praised the excellence of his directing.[4]
Stage edit
| Date | Title | Role | Writer | Theatre company |
|---|---|---|---|---|
| 10 August 1889 | Shakuntal | Sarvadaman | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 9 August 1890 | Harishchandra | Jayant | Vishwanath Prabhuram Vaidya | Mumbai Gujarati Natak Mandali |
| 22 January 1891 | Rajbeej | Beej | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 27 February 1892 | Kundabala | Chand | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 15 August 1892 | Rasikmani | Mohan | Narabheshankar Manchharam Vyas | Mumbai Gujarati Natak Mandali |
| 2 December 1893 | Sundar Veni | Sundarlal | – | Mumbai Gujarati Natak Mandali |
| 3 November 1894 | Premkala | Premrai | Vijayshankar Kalidas Bhatt | Mumbai Gujarati Natak Mandali |
| 27 April 1895 | Mevadno Pratapi Chand | Mokal | Vijayshankar Kalidas Bhatt | Mumbai Gujarati Natak Mandali |
| 19 October 1895 | Mularaj Solanki | Mularaja | Vijayshankar Kalidas Bhatt | Mumbai Gujarati Natak Mandali |
| 5 September 1896 | Karanghelo | Beejkhan | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 14 August 1897 | Barrister | Shankar | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 8 January 1898 | Ramcharitra | Ram | Vijayshankar Kalidas Bhatt | Mumbai Gujarati Natak Mandali |
| 23 April 1898 | Pushpasen Pushpavati | Pushpasen | – | Mumbai Gujarati Natak Mandali |
| 27 August 1898 | Jayraj | Jayraj | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 8 July 1899 | Tilakkumar | Tilakkumar | Vijayshankar Kalidas Bhatt | Mumbai Gujarati Natak Mandali |
| 30 September 1899 | Ajabkumari | Randhir | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 16 December 1899 | Veer Mandal | Pratapsinh | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 14 February 1900 | Mohini | Kalyandev | Vijayshankar Kalidas Bhatt | Mumbai Gujarati Natak Mandali |
| 7 July 1900 | Vikramcharitra | Rajratan | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 19 October 1901 | Saubhagya Sundari | Saubhagya | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 26 August 1902 | Jugal Jugari | Jugal | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 18 October 1904 | Kamlata | Meenketu | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 1906 | Nandbatrisi | Vilochan | Bapulal Nayak | Mumbai Gujarati Natak Mandali |
| 1908 | Sangatno Rang | Lalaji | – | Mumbai Gujarati Natak Mandali |
| 22 May 1909 | Chandrabhaga | Ratansinh | Bapulal Nayak | Mumbai Gujarati Natak Mandali |
| 3 November 1909 | Navalsha Heerji | Navalsha | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 17 December 1910 | Vasantprabha | Vasantsen | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 1911 | Devkanya | Kishor | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 1912 | Krishnacharitra | Baldev | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 31 January 1914 | Prataplakshmi | Pratap | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 28 February 1915 | Sangatna Fal | Kant | Mulshankar Mulani | Mumbai Gujarati Natak Mandali |
| 19 September 1915 | Sneh Sarita | Shenchandra | Nrisinh Vibhakar | Mumbai Gujarati Natak Mandali |
| 5 August 1916 | Sudhachandra | Chandrakumar | Nrisinh Vibhakar | Mumbai Gujarati Natak Mandali |
| 28 July 1917 | Madhubansari | Madhusudan | Nrisinh Vibhakar | Mumbai Gujarati Natak Mandali |
| 23 November 1918 | Meghmalini | Meghdoot | Nrisinh Vibhakar | Mumbai Gujarati Natak Mandali |
| 23 August 1919 | Anandlahari | Laharikant | Bapulal Nayak | Mumbai Gujarati Natak Mandali |
| 25 September 1920 | Vishwaleela | Vishwadev | Ambashankar Harishankar Upadhyay | Mumbai Gujarati Natak Mandali |
| 25 April 1925 | Saubhagyano Sinh | Mansinh | Bapulal Nayak | Mumbai Gujarati Natak Mandali |
| 1926 | Madandh Mahila Yane Noorjahan | Sher Afghan | Jayshankar Vaghajibhai Vyas | Mumbai Gujarati Natak Mandali |
| 1926 | Kumali Kali | Pranjeevan | Shayda | Mumbai Gujarati Natak Mandali |
| 1927 | Jamanano Rang | Dhanraj | Gajendrashankar Lalshankar Pandya | Mumbai Gujarati Natak Mandali |
| 1928 | Tarunina Tarang | Padmakumar | Gajendrashankar Lalshankar Pandya | Mumbai Gujarati Natak Mandali |
| 1928 | Kashmirnu Prabhat | Devakar | Gajendrashankar Lalshankar Pandya | Mumbai Gujarati Natak Mandali |
| 21 February 1929 | Kudaratno Nyay | Kantilal | Gajendrashankar Lalshankar Pandya | Mumbai Gujarati Natak Mandali |
| 29 March 1929 | Up-to-date Mavali | Sorabji | Joseph David | Mumbai Gujarati Natak Mandali |
| 1929 | Swamibhakti Yane Baji Deshpande (Hindi) | Heeroji | Munshi Mohiyuddin Naza | Mumbai Gujarati Natak Mandali |
| 27 January 1929 | Kimiyagar | Shripatrai | 'Manasvi' Prantijwala (rewritten) | Mumbai Gujarati Natak Mandali |
| 9 January 1930 | Kuldeepak | Shantilal | Gajendrashankar Lalshankar Pandya | Mumbai Gujarati Natak Mandali |
| January 1931 | Kutil Rajneeti | Shivaji | Gajendrashankar Lalshankar Pandya | Mumbai Gujarati Natak Mandali |
| 23 January 1932 | Karmasanjog | Dharmadas | Mugatlal Pranjeevan Oza | Mumbai Gujarati Natak Mandali |
| 1932 | Karyasiddhi (Hindi) | Duple | 'Manasvi' Prantijwala (adaptation) | Mumbai Gujarati Natak Mandali |
| 9 September 1933 | Kon Samrat? | Bhimdev | 'Manasvi' Prantijwala (rewritten) | Mumbai Gujarati Natak Mandali |
| 1934 | Kirtivijay | Ratnapal | 'Manasvi' Prantijwala | Mumbai Gujarati Natak Mandali |
| 13 September 1934 | Jeenjarna Zankare | Ramsinh | Champshi Udeshi | Mumbai Gujarati Natak Mandali |
| 20 March 1935 | Mumbaini Badi | Sukhlaji | Joseph David | Mumbai Gujarati Natak Mandali |
| 1 June 1935 | Gheli Guniyal | Kanchanlal | Champshi Udeshi | Mumbai Gujarati Natak Mandali |
| January 1936 | Kiritkumar | Vijayvarma | Manilal 'Pagal' | Mumbai Gujarati Natak Mandali |
| February 1936 | Nepolian | Francis | Manilal 'Pagal' | Mumbai Gujarati Natak Mandali |
| 15 May 1937 | Shataranjna Dav | Shripal | Champshi Udeshi | Mumbai Gujarati Natak Mandali |
| 7 August 1937 | Gareebna Ansu | Varjabhushan | Champshi Udeshi | Mumbai Gujarati Natak Mandali |
| 19 November 1938 | Sukhi Sansar | Bhanuprasad | Champshi Udeshi | Mumbai Gujarati Natak Mandali |
| 11 March 1939 | Kalankit Kon? | Bakshi Sheth | Chimanlal Trivedi | Mumbai Gujarati Natak Mandali |
References edit
- ^ a b c d e f g h i Bhojak, Dinkar (1990). Thaker, Dhirubhai (ed.). ગુજરાતી વિશ્વકોશ [Gujarati Encyclopedia] (in Gujarati). Vol. X. Ahmedabad: Gujarati Vishwakosh Trust, Ahmedabad. pp. 95–96. OCLC 165832685.
- ^ a b c d e f g h Choksi, Mahesh; Somani, Dhirendra, eds. (2004). ગુજરાતી રંગભૂમિ: રિદ્ધિ અને રોનક (Gujarati Rangbhoomi: Riddhi Ane Ronak) [Compilation of Information regarding professional theatre of Gujarat] (in Gujarati). Ahmedabad: Gujarat Vishwakosh Trust. pp. 38, 219–223.
- ^ a b c d Nayak, Suresh (January 1980). Gujarati Rangbhumina Abhinay Shilpi Bapulal Nayak (in Gujarati) (1st ed.). Suresh Nayak. pp. 6, 8. OCLC 7173414.
- ^ a b c d e f g h i j Baradi, Hasmukh (2003). History of Gujarati Theatre. India-The Land and The People. Translated by Meghani, Vinod. National Book Trust, India. pp. 60–63. ISBN 978-81-237-4032-4.
- ^ a b c d e f g Baradi, Hasmukh (2004). Lal, Ananda (ed.). The Oxford Companion to Indian Theatre. New Delhi: Oxford University Press. ISBN 0195644468. OCLC 56986659 – via Oxford Reference.
Further reading edit
- Nayak, Suresh (1980). Gujarati Rangbhumina Abhinay Shilpi Bapulal Nayak (in Gujarati).