IntroductionWelcome to the Pan-Africanism portal!
Bienvenue sur le portail panafricanisme!  .jpg) Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous peoples and diasporas of African ancestry. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe. Pan-Africanism can be said to have its origins in the struggles of the African people against enslavement and colonization and this struggle may be traced back to the first resistance on slave ships—rebellions and suicides—through the constant plantation and colonial uprisings and the "Back to Africa" movements of the 19th century. Based on the belief that unity is vital to economic, social, and political progress, it aims to "unify and uplift" people of African ancestry. (Full article...) Selected articleThe Black Star of Africa is a black five-pointed star (★) symbolizing Africa in general and Ghana in particular. The Black Star Line, founded in 1919 by Marcus Garvey as part of the Back-to-Africa movement, modelled its name on that of the White Star Line, changing the colour from white to black to symbolise ownership by black people rather than white people. The black star became a symbol of Pan-Africanism and anti-colonialism. Described as the "Lodestar of African Freedom", the black star was used in 1957 by Theodosia Okoh in the design of the Flag of Ghana. Selected biography
Aimé Fernand David Césaire (/seɪˈzɜːr/; French: [sezɛʁ]; 26 June 1913 – 17 April 2008) was a Francophone and French poet, author and politician from Martinique. He was "one of the founders of the négritude movement in Francophone literature". His works included Une Tempête, a response to Shakespeare's play The Tempest, and Discours sur le colonialisme (Discourse on Colonialism), an essay describing the strife between the colonizers and the colonized. His works have been translated into many languages. Selected history
The Ghana Empire (c. 700 until c. 1240), (Ghana or Ga'na being the title of its ruler), was located in the area of present-day southeastern Mauritania and western Mali. Complex societies based on trans-Saharan trade with salt and gold had existed in the region since ancient times, but the introduction of the camel to the western Sahara in the 3rd century A.D. opened the way to great changes in the area that became the Ghana Empire. By the time of the Muslim conquest of North Africa in the 7th century the camel had changed the ancient, more irregular trade routes into a trade network running from Morocco to the Niger river. The Ghana Empire grew rich from this increased trans-Saharan trade in gold and salt, allowing for larger urban centres to develop. The traffic furthermore encouraged territorial expansion to gain control over the different trade-routes. When Ghana's ruling dynasty began remains uncertain; it is mentioned for the first time in written records by Muḥammad ibn Mūsā al-Khwārizmī in 830. In the 11th century the Cordoban scholar Abuof travelled to the region and gave a detailed description of the kingdom. He claimed that the Ghana could "put 200,000 men into the field, more than 40,000 of them archers", and noted they had cavalry forces as well. As the empire declined it finally became a vassal of the rising Mali Empire at some point in the 13th century. When the Gold Coast in 1957 became the first country in sub-Saharan Africa to regain its independence from colonial rule, it renamed itself in honor of the long-gone empire. Selected culture  African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa. Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed. African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction. West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots. Selected images
OrganisationsAll-African People's Revolutionary Party · African Society for Cultural Relations with Independent Africa · African Unification Front · African Union · African Queens and Women Cultural Leaders Network · Conseil de l'Entente · Convention People's Party · East African Community · Economic Freedom Fighters · Global Afrikan Congress · International African Service Bureau · International League for Darker People · Organisation of African Unity · Pan African Association · Pan-African Congress · Pan Africanist Congress of Azania · Rassemblement Démocratique Africain · Pan Africa Chemistry Network · Pan African Federation of Accountants · Pan-African Freedom Movement for East and Central Africa · Sahara and Sahel Observatory · UNIA-ACL · ZANU–PF
See also
& Festivals_(cropped)_1.jpg) Photo by Helinä Rautavaara (1977) Publications
Films and TVAudios and videosDid you know ...that on arriving in Cuba in 1920, the SS Yarmouth (crew pictured), flagship of Marcus Garvey's Black Star Line, was hailed as the "Ark of the Covenant of the colored people"?
Selected quotesIn addressing imperialism at a Salisbury (Southern Rhodesia) meeting held on 9 April 1962, the former President of Zimbabwe Robert Mugabe delivered the following speech:
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