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The Tale of Hongxian

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"Hongxian" (Chinese: 紅線; pinyin: Hóngxiàn; lit. 'Red Threads') or "The Tale of Hongxian" (紅線傳) is a Chinese short story dating back to the Tang dynasty, believed to have been written by either Yuan Jiao (袁郊) or Yang Juyuan (杨巨源). "Hongxian" revolves around a general's maid who strikes fear into the heart of a rival general by infiltrating his bedroom and stealing a golden box.

"The Tale of Hongxian"
Painting by He Dazi (赫達資) at the National Palace Museum located in Taipei, Taiwan.
Original title紅線 (Hongxian)
CountryChina
LanguageChinese
Genre(s)
Publication
Published inGanze yao (甘澤謠)
Media typePrint (Book)
Publication datec. 868

Plot edit

The story takes place as the An Lushan Rebellion is waning;[1] the Tang government orders the general Xue Song to lead the Zhaoyi (昭義) army headquartered in Fuyang, Hebei and take control of Shandong, a hotbed of rebel generals. To strengthen the ties between the various military governors, the government also has Xue Song marry his daughter and son to the son of Weibo governor Tian Chengsi and the daughter of Huazhou governor Linghu Zhang (令狐彰) respectively.[2] However, irritated by the Weibo heat,[3] Tian Chengsi decides to annex the cooler Shandong area.[4]

Distressed by Tian's intentions, Xue confides in his maid[a] named Hongxian (紅線),[b] who is also a skilled ruan player and Song's "inner record-keeper".[1] Hongxian tells her master not to worry, before heading out to Tian's territory at midnight to conduct reconnaissance.[7] She returns the next morning and recounts her mission to Xue: having avoided detection by Tian's troops, she snuck into Tian's chambers to find him fast asleep; instead of assassinating him, she stole a golden box next to his bed containing numerous precious items;[8] and before leaving, she bound together some of Tian's sleeping maids by their tops and skirts without awaking them.[9]

Xue Song orders a messenger to return the box to Tian;[10] startled, the Weibo general lavishes many gifts upon Xue and denies having had any intention of annexing his territory.[11] Some time later, Hongxian reveals to her master that in her past life, she was a male healer who accidentally killed a pregnant woman and her unborn twins, and was therefore made to atone in the next life as a woman; having paid her dues, she now wishes to retreat to the mountains.[12] Xue organises a farewell banquet for her and commissions poet Leng Chaoyang (冷朝陽) to write a poem in her honour.[13]

Authorship and publication history edit

 
The Peking opera performance "Hongxian Steals a Box" is an adaptation of the short story.[14]

"Hongxian" is one of the eight chuanqi tales collected in Ganze yao (甘澤謠) or Ballads of Timely Rainfall by Yuan Jiao (袁郊; fl. 868).[6] Although most modern scholars believe that Yuan wrote "Hongxian",[15] other commentators, for example E. D. Edwards and Liu Ying (劉瑛) have attributed authorship of the story to the eighth-century writer Yang Juyuan (杨巨源).[16] The original Ganze yao was lost during or before the Yuan dynasty, but "Hongxian" was partially preserved in Song dynasty leishu, whose editors had access to the original Ganze yao;[17] the Taiping Guangji was the earliest anthology to feature "Hongxian".[18]

Literary significance edit

The protagonist Hongxian is an example of the nüxia (女俠) or "female knight-errant",[19] a common character in mainstream Tang dynasty fiction.[20] According to Sarah M. Allen, "the narrative focuses from the beginning on the woman herself (and) does not portray her as a figure of desire."[21] While described as an intellectually and culturally accomplished lady, Hongxian is "not said to be beautiful", and Xue Song "admires her talents without becoming infatuated with her."[21]

Notes edit

  1. ^ Some variants of the story, such as those collected in Bai Kong liutie (白孔六帖), Lei shuo (類說), and Gan zhu ji (紺珠集), identify Hongxian as a "singing girl" instead of a maid.[5]
  2. ^ Both Gujin shihua (古今詩話）and Tangshi jishi (唐詩紀事) suggest that the maid was named "Hongxian" (紅線) or "Red Threads" because both her palms had lines that resembled red threads.[6]

References edit

Citations edit

  1. ^ a b Nienhauser 2010, p. 3.
  2. ^ Nienhauser 2010, p. 5.
  3. ^ Nienhauser 2010, p. 7.
  4. ^ Nienhauser 2010, p. 8.
  5. ^ Nienhauser 2010, p. 2.
  6. ^ a b Nienhauser 2010, p. 1.
  7. ^ Nienhauser 2010, p. 9.
  8. ^ Nienhauser 2010, p. 12.
  9. ^ Nienhauser 2010, p. 14.
  10. ^ Nienhauser 2010, p. 16.
  11. ^ Nienhauser 2010, pp. 17–18.
  12. ^ Nienhauser 2010, p. 20.
  13. ^ Nienhauser 2010, p. 22.
  14. ^ Li 1988, pp. 41–42.
  15. ^ Nienhauser 2010, p. 24.
  16. ^ Nienhauser 2010, p. 26.
  17. ^ Nienhauser 2010, p. 32.
  18. ^ Nienhauser 2010, p. 37.
  19. ^ Li 2020, p. 205.
  20. ^ Allen 2006, p. 118.
  21. ^ a b Allen 2006, p. 119.

Bibliography edit

  • Allen, Sarah M. (June 2006). "Tales Retold: Narrative Variation in a Tang Story". Harvard Journal of Asiatic Studies. 66 (1). Harvard-Yenching Institute: 106–143.
  • Li, Nianpei (1988). The Beating of the Dragon Robe: A Repertoire of Beijing Opera Synopses of 100 Most Popular Pieces. Joint Publishing. ISBN 9620406362.
  • Li, Wai-yee (2020). Women and National Trauma in Late Imperial Chinese Literature. Brill. ISBN 9781684170760.
  • Nienhauser, William H. (2010). Tang Dynasty Tales: A Guided Reader. Vol. 1. World Scientific. ISBN 9789814287289.
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