Musical isomorphism

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In mathematics—more specifically, in differential geometry—the musical isomorphism (or canonical isomorphism) is an isomorphism between the tangent bundle and the cotangent bundle of a Riemannian or pseudo-Riemannian manifold induced by its metric tensor. There are similar isomorphisms on symplectic manifolds. The term musical refers to the use of the musical notation symbols (flat) and (sharp).[1][2]

In the notation of Ricci calculus, the idea is expressed as the raising and lowering of indices.

In certain specialized applications, such as on Poisson manifolds, the relationship may fail to be an isomorphism at singular points, and so, for these cases, is technically only a homomorphism.

Motivation

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In linear algebra, a finite-dimensional vector space is isomorphic to its dual space, but not canonically isomorphic to it. On the other hand, a finite-dimensional vector space   endowed with a non-degenerate bilinear form  , is canonically isomorphic to its dual. The canonical isomorphism   is given by

 .

The non-degeneracy of   means exactly that the above map is an isomorphism.

An example is where  , and   is the dot product.

The musical isomorphisms are the global version of this isomorphism and its inverse for the tangent bundle and cotangent bundle of a (pseudo-)Riemannian manifold  . They are canonical isomorphisms of vector bundles which are at any point p the above isomorphism applied to the tangent space of M at p endowed with the inner product  .

Because every paracompact manifold can be (non-canonically) endowed with a Riemannian metric, the musical isomorphisms show that a vector bundle on a paracompact manifold is (non-canonically) isomorphic to its dual.

Discussion

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Let (M, g) be a (pseudo-)Riemannian manifold. At each point p, the map gp is a non-degenerate bilinear form on the tangent space TpM. If v is a vector in TpM, its flat is the covector

 

in T
p
M
. Since this is a smooth map that preserves the point p, it defines a morphism of smooth vector bundles  . By non-degeneracy of the metric,   has an inverse   at each point, characterized by

 

for α in T
p
M
and v in TpM. The vector   is called the sharp of α. The sharp map is a smooth bundle map  .

Flat and sharp are mutually inverse isomorphisms of smooth vector bundles, hence, for each p in M, there are mutually inverse vector space isomorphisms between Tp M and T
p
M
.

The flat and sharp maps can be applied to vector fields and covector fields by applying them to each point. Hence, if X is a vector field and ω is a covector field,

 

and

 .

In a moving frame

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Suppose {ei} is a moving tangent frame (see also smooth frame) for the tangent bundle TM with, as dual frame (see also dual basis), the moving coframe (a moving tangent frame for the cotangent bundle  ; see also coframe) {ei}. Then the pseudo-Riemannian metric, which is a symmetric and nondegenerate 2-covariant tensor field can be written locally in terms of this coframe as g = gij eiej using Einstein summation notation.

Given a vector field X = Xi ei and denoting gij Xi = Xj, its flat is

 .

This is referred to as lowering an index.

In the same way, given a covector field ω = ωi ei and denoting gij ωi = ωj, its sharp is

 ,

where gij are the components of the inverse metric tensor (given by the entries of the inverse matrix to gij). Taking the sharp of a covector field is referred to as raising an index.

Extension to tensor products

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The musical isomorphisms may also be extended to the bundles  

Which index is to be raised or lowered must be indicated. For instance, consider the (0, 2)-tensor field X = Xij eiej. Raising the second index, we get the (1, 1)-tensor field  

Extension to k-vectors and k-forms

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In the context of exterior algebra, an extension of the musical operators may be defined on V and its dual
V
, which with minor abuse of notation may be denoted the same, and are again mutual inverses:[3]   defined by  

In this extension, in which maps p-vectors to p-covectors and maps p-covectors to p-vectors, all the indices of a totally antisymmetric tensor are simultaneously raised or lowered, and so no index need be indicated:  

Vector bundles with bundle metrics

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More generally, musical isomorphisms always exist between a vector bundle endowed with a bundle metric and its dual.

Trace of a tensor through a metric tensor

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Given a type (0, 2) tensor field X = Xij eiej, we define the trace of X through the metric tensor g by  

Observe that the definition of trace is independent of the choice of index to raise, since the metric tensor is symmetric.

See also

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Citations

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  1. ^ Lee 2003, Chapter 11.
  2. ^ Lee 1997, Chapter 3.
  3. ^ Vaz & da Rocha 2016, pp. 48, 50.

References

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  • Lee, J. M. (2003). Introduction to Smooth manifolds. Springer Graduate Texts in Mathematics. Vol. 218. ISBN 0-387-95448-1.
  • Lee, J. M. (1997). Riemannian Manifolds – An Introduction to Curvature. Springer Graduate Texts in Mathematics. Vol. 176. Springer Verlag. ISBN 978-0-387-98322-6.
  • Vaz, Jayme; da Rocha, Roldão (2016). An Introduction to Clifford Algebras and Spinors. Oxford University Press. ISBN 978-0-19-878-292-6.