Tricia_Ward_Spiraling_Orchard_1996-2014.jpg (364 × 273 pixels, file size: 129 KB, MIME type: image/jpeg)
Summary
editThis is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description |
Public environmental work by Tricia Ward/ACLA, La Tierra de la Culebra (1992–present, Highland Park Neighborhood, Los Angeles). The image illustrates a key practice in Tricia Ward's career in the 1990s and 2000s when she increasingly undertook collaborative community projects involving the remediation and transformation of toxic urban sites into "pocket parks." This image shows "Spiraling Orchard," a park in the transitional Temple-Beaudry neighborhood that Ward and ACLA created with the community by reclaiming a half-acre, non-arable former oil field. The work included an environmental process called phytoremediation, planting a garden of fruit trees, the creation of a pavilion and symbolic sculptural pieces, and community and educational programs. The park remained active for nearly two decades. This work has been widely discussed in major daily press publications. |
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Source |
Artist Tricia Ward. Copyright held by the artist. |
Article | |
Portion used |
Site view |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key body of work in Tricia Ward's career in the 1990s and 2000s: her environmental and social practice art, which engaged community constituencies in projects involving open space, arts, education, and youth development, often through the transformation of abandoned or toxic urban sites into "pocket parks." This work included environmental remediation, urban gardening, design and artmaking, cultural and educational programming, and public policy. It was largely undertaken through the nonprofit organization she founded, ACLA (Art Community Land Activism). Writers have noted her unique methodology in this work, which focused on community acceptance, flexible nonprofit management, and a notion of public space as continually contested territory. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this major stage and body of work, which brought Ward recognition in mainstream media outlets and publications. Ward's work of this type and this series is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other work of this type by Tricia Ward, and the work no longer is viewable, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Tricia Ward//en.wikipedia.org/wiki/File:Tricia_Ward_Spiraling_Orchard_1996-2014.jpgtrue |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:54, 9 March 2022 | 364 × 273 (129 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Tricia Ward | Description = Public environmental work by Tricia Ward/ACLA, ''La Tierra de la Culebra'' (1992–present, Highland Park Neighborhood, Los Angeles). The image illustrates a key practice in Tricia Ward's career in the 1990s and 2000s when she increasingly undertook collaborative community projects involving the remediation and transformation of toxic urban sites into "pocket parks." Thi... |
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