Nancy_Baker_Cahill_Slipstream100.jpg (387 × 258 pixels, file size: 67 KB, MIME type: image/jpeg)
Summary edit
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Drawing by Nancy Baker Cahill, Slipstream 100 (graphite on paper and wood veneer, 108" x 168" x 24", 2021). The image illustrates a key body of work by Nancy Baker Cahill: her analog work, which has consisted of largely abstract drawings and paintings that have explored themes involving physical embodiment in an increasingly immersive manner. The pictured work, part of her "Slipstream" series, is a graphite work on paper. Baker Cahill often produces these works in conjunction with digitally captured versions that can be transformed into extended reality works. These works were publicly exhibited in prominent locations and discussed in major art journals and daily press publications. |
|---|---|
| Source |
Artist Nancy Baker Cahill. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key body of work throughout Nancy Baker Cahill's career: her drawings, which extending across two- and three-dimensional physical work, as well as extended-reality VR and AR mediums. These generally abstract works, which include her "Surds," "Manifestos" and "Hollowpoint" series, often resembled twisting bodily forms or swirling storms, falling comets and teeming undergrowth. They often involve initial graphite drawings or virtual reality mark-making in the air with a handheld controller that are captured by laser and transformed into immersive experiences. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this key body of work, which brought Baker Cahill ongoing recognition through exhibitions in major venues and coverage by major critics and publications. Baker Cahill's work of this type and this series is discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Nancy Baker Cahill, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Nancy Baker Cahill//en.wikipedia.org/wiki/File:Nancy_Baker_Cahill_Slipstream100.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 18:31, 5 December 2022 | | 387 × 258 (67 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Nancy Baker Cahill | Description = Drawing by Nancy Baker Cahill, ''Slipstream 100'' (graphite on paper and wood veneer, 108" x 168" x 24", 2021). The image illustrates a key body of work by Nancy Baker Cahill: her analog work, which has consisted of largely abstract drawings and paintings that have explored themes involving physical embodiment in an increasingly immersive manner. The pictured wo... |
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