Ken_Gonzales-Day_Ramonacita_at_the_Cantina_BoneGrassBoy.jpg (442 × 226 pixels, file size: 54 KB, MIME type: image/jpeg)
Summary edit
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Photographic work by Ken Gonzales-Day, Ramonacita at the Cantina from Bone-Grass Boy: The Secret Banks of the Conejos River (1993–6, 2017. The image illustrates a key early period and body of work in Ken Gonzales-Day's career, in which he focused on issues surrounding identity, multiculturalism and prejudice with photographic works that employed narrative, the appropriation of master-painting poses and scenes, Pictures Generation-style costumed self-portraiture, and early digital imaging techniques. This work and related works were publicly exhibited in prominent venues, discussed widely in prominent art and daily press publications. |
|---|---|
| Source |
Artist Ken Gonzales-Day. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key early period and body of work in Ken Gonzales-Day's career in the 1990s and early 2000s: his photographic works which focused on issues surrounding identity, multiculturalism and prejudice, as well as broader social concerns, including the AIDS crisis, queer rights, and immigration. This body employed narrative, autobiography and genealogical elements, and techniques including the appropriation of master-painting poses and scenes, Pictures Generation-style costumed self-portraiture, and early digital imaging technologies. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize a key developmental phase in his art, which brought early recognition from art journals, daily press publications, and institutions, and set his future course. Gonzales-Day's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Ken Gonzales-Day, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Ken Gonzales-Day//en.wikipedia.org/wiki/File:Ken_Gonzales-Day_Ramonacita_at_the_Cantina_BoneGrassBoy.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 21:17, 13 March 2020 | | 442 × 226 (54 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Ken Gonzales-Day | Description = Photographic work by Ken Gonzales-Day, ''Ramonacita at the Cantina'' from ''Bone-Grass Boy: The Secret Banks of the Conejos River'' (1993–6, 2017. The image illustrates a key early period and body of work in Ken Gonzales-Day's career, in which he focused on issues surrounding identity, multiculturalism and prejudice with photographic works that employed narrative,... |
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