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Jeanne_Silverthorne_Untitled_(Chandelier)_1995.jpg (377 × 264 pixels, file size: 70 KB, MIME type: image/jpeg)
Summary edit
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 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Sculpture by Jeanne Silverthorne, Untitled (Chandelier) (rubber, dimensions variable, 1995). The image illustrates both a key body of work and strategy in Jeanne Silverthorne's career beginning in the early 1990s, when she turned to the artist's studio as a subject, casting a range of objects and tools, infrastructure elements (as in this work), detritus, and more in rubber to suggest dystopia, ruin, and an exhausted tradition. These works have been exhibited in prominent institutions and discussed widely by prominent art publications and critics. |
|---|---|
| Source |
Artist Jeanne Silverthorne. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key body of work and thematic focus in Jeanne Silverthorne's career beginning in the early 1990s: her turn to the artist's studio, regarded as a romantic anachronism or ruin. This work featured a range objects cast in light-deadening rubber, including the studio's outmoded infrastructure, objects and tools, detritus, and explored metaphors for the human body and its systems, the artist's creative process and psyche, decay, and the exhaustion of traditional studio-art conventions of authorship and the hand, mastery and mimesis, originality, and timelessness. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this foundational body of work and strategy, which brought Silverthorne wider attention. Silverthorne's work of this type and this work in particular was exhibited in prominent venues and discussed in the article and by prominent publications and critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Jeanne Silverthorne, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Jeanne Silverthorne//en.wikipedia.org/wiki/File:Jeanne_Silverthorne_Untitled_(Chandelier)_1995.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 16:43, 6 July 2020 | | 377 × 264 (70 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Jeanne Silverthorne | Description = Sculpture by Jeanne Silverthorne, ''Untitled (Chandelier)'' (rubber, dimensions variable, 1995). The image illustrates both a key body of work and strategy in Jeanne Silverthorne's career beginning in the early 1990s, when she turned to the artist's studio as a subject, casting a range of objects and tools, infrastructure elements (as in this work), detritus, a... |
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