Jane_Mulfinger_Lost_for_Words_1991.jpg (318 × 313 pixels, file size: 152 KB, MIME type: image/jpeg)
Summary edit
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Installation, Lost for Words (installation detail), 186 second-hand engraved spectacles, glass, spotlights, latex, 36' x 12' x 6', 1991. Installation at Flaxman Gallery, London by Jane Mulfinger. The image of Jane Mulfinger’s artwork illustrates a key body of work in her career, beginning in the 1990s, when she began to work with found text and symbolic codes in works that examined shared history, the elusiveness of memory, and the potency and limited capacity of language in several series using etched glass of various types. This work and body of work was publicly exhibited in prominent venues in the U.K., U.S. and Europe, and discussed extensively in major art journals and daily press publications. |
|---|---|
| Source |
Artist Jane Mulfinger. Copyright held by the artist. |
| Article | |
| Portion used |
Detail |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key body of work in Mulfinger’s career in the 1990s, when she began to focus on found text (jokes, poetry or first-hand accounts of sensory experiences) and symbolic codes (braille, Morse code or musical notation) in works that examined shared history, the elusiveness of memory, and the potency and limited capacity of language. The series often used etched glass or spectacles of various types. This work and the body of work was publicly exhibited in prominent venues in the U.K., U.S. and Europe, and discussed extensively in major art journals and daily press publications. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this type of work in her oeuvre. Mulfinger’s work of this type and this work in particular is discussed extensively in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Jane Mulfinger, and the work no longer is viewable, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Jane Mulfinger//en.wikipedia.org/wiki/File:Jane_Mulfinger_Lost_for_Words_1991.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:49, 22 February 2019 | | 318 × 313 (152 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Jane Mulfinger | Description = Installation, ''Lost for Words'' (installation detail), 186 second-hand engraved spectacles, glass, spotlights, latex, 36' x 12' x 6', 1991. Installation at Flaxman Gallery, London by Jane Mulfinger. The image of Jane Mulfinger’s artwork illustrates a key body of work in her career, beginning in the 1990s, when she began to work with found text and symbolic codes in... |
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