Coleen_Sterritt_MOAH_Installation_view2_2016.jpg (315 × 315 pixels, file size: 108 KB, MIME type: image/jpeg)
Summary
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 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Installation view, Lancaster Museum of Art and History (MOAH) exhibition, 2016, Sculptures shown: Vixen (wood, rattan, paint, 56” x 32” x 40”, 2013, right) and And Then Some (wood, bamboo, strapping tape, 99” x 61” x 40”, 2012, left) by Coleen Sterritt. The installation view of a major exhibition illustrates later work in Coleen Sterritt’s career in the 2010s when refined her assemblages incorporating recycled studio detritus and found furniture, creating uniquely balanced, poetic and humorous works. This later body of work, and this exhibition, was discussed extensively in numerous art reviews and catalogue essays. publications. |
|---|---|
| Source |
Artist Coleen Sterritt. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artworks |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating later work in Sterritt’s career, in the 2010s: when she refined her assemblages and mastery of materials, such as recycled studio detritus and found furniture, creating newly poetic and humorous works of precarious balance. In aprticular, the view is important to provide a sense of how her work interacts in space and how it is displayed. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this body of work and important phase in her art. Sterritt’s work of this type and these sculptures in particular are discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Coleen Sterritt, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Coleen Sterritt//en.wikipedia.org/wiki/File:Coleen_Sterritt_MOAH_Installation_view2_2016.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 12:37, 21 November 2018 | | 315 × 315 (108 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Coleen Sterritt | Description = Installation view, Lancaster Museum of Art and History (MOAH) exhibition, 2016, Sculptures shown: ''Vixen'' (wood, rattan, paint, 56” x 32” x 40”, 2013, right) and ''And Then Some'' (wood, bamboo, strapping tape, 99” x 61” x 40”, 2012, left) by Coleen Sterritt. The installation view of a major exhibition illustrates later work in Coleen Sterritt’s career in the 2010... |
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