Amanda_Church_Split_2019.jpg (334 × 298 pixels, file size: 67 KB, MIME type: image/jpeg)
Summary edit
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Painting by Amanda Church, Split (oil on canvas, 32" x 36", 2019). The image illustrates a later period and body of work in Amanda Church's career in the late 2010s, when her essentially abstract paintings of biomorphic and geometric forms shifted toward even more magnified views of humanoid curves in geometric settings suggest erotic scenarios critics have described as having a "winking" subtlety. Church's work of this time has been publicly exhibited in prominent venues, discussed widely in national art and daily press publications. |
|---|---|
| Source |
Artist Amanda Church. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a later period and body of work in Amanda Church's career in the late 2010s: her shift toward even more magnified views of humanoid curves in geometric settings that suggest erotic scenarios critics have described as having a "winking" subtlety. These compositions feature closely cropped curves and rectangles, architecture, and folds of flesh to conjure familiar or vaguely recognizable situations that a viewer's mind to completes. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this later art, which brought her ongoing recognition from art journals, press publications and art institutions. Church's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Amanda Church, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Amanda Church//en.wikipedia.org/wiki/File:Amanda_Church_Split_2019.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 19:24, 28 January 2021 | | 334 × 298 (67 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Amanda Church | Description = Painting by Amanda Church, ''Split'' (oil on canvas, 32" x 36", 2019). The image illustrates a later period and body of work in Amanda Church's career in the late 2010s, when her essentially abstract paintings of biomorphic and geometric forms shifted toward even more magnified views of humanoid curves in geometric settings suggest erotic scenarios critics have descri... |
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