Alison_Ruttan_MOCP_4YR_War.jpg (350 × 281 pixels, file size: 87 KB, MIME type: image/jpeg)
Summary edit
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Photographs, “Honey Bee Watches the End Come for Willy Wally,” (nine photographs, Museum of Contemporary Photography installation, 2012) by artist Alison Ruttan. Illustrates a key mid-career phase and body of photographic work (“The Four Year War at Gombe” series) in Alison Ruttan’s career, and her use of photographic installations, in which she explored aggression and war and the relationship of humanity to primates through video, drawing and photographs. These works were exhibited and reviewed extensively. |
|---|---|
| Source |
Artist Alison Ruttan. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a critical mid-career body of new work in the artist's practice and and a distinct strategy: her photographic work exploring aggression and war in her 2009–12 “The Four Year War at Gombe” series and her use of photographic installation to create narrative. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this body of work and new phase in her art. Ruttan’s work from this series and this work in particular is discussed in the article and has been widely exhibited in prominent venues and widely discussed by art critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Ruttan’s, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Alison Ruttan//en.wikipedia.org/wiki/File:Alison_Ruttan_MOCP_4YR_War.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 21:01, 19 October 2018 | | 350 × 281 (87 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Alison Ruttan | Description = Photographs, “Honey Bee Watched the End Come for Willy Wally,” (nine photographs, Museum of Contemporary Photography installation, 2012) by artist Alison Ruttan. Illustrates a key mid-career phase and body of photographic work (“The Four Year War at Gombe” series) in Alison Ruttan’s career, and her use of photographic installations, in which she explored aggression an... |
| 19:56, 19 October 2018 | No thumbnail | 370 × 269 (76 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Alison Ruttan | Description = Photographs, “Honey Bee Watches the End Come for Willy Wally,” (nine photographs, Museum of Contemporary Photography installation, 2012) by artist Alison Ruttan. Illustrates a key mid-career phase and body of photographic work (“The Four Year War at Gombe” series) in Alison Ruttan’s career, and her use of photographic installations, in which she explored aggression an... |
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