The nineteenth century marks the period beginning January 1, 1801 and ends December 31, 1900.

It was a period of dramatic change and rapid socio-cultural advancement, where society and culture are constantly changing with advancement of time.

The technology, art, politics, and culture of the 19th century were strongly reflected in the styles and silhouettes of the era's clothing.

For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns. For men, three piece suits were tailored for usefulness in business as well as sporting activity.

The fashion in this article includes styles from the 19th century through a Western context – namely Europe and North America.

19th Century Dress Silhouette
Man's tailcoat 1825–1830

Historical overview and fashions

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Early 1800s (1800–1829)

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Technological innovations

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At the turn of the 18th century, the Western world – namely Europe and the United States – were revelling in the prosperity of the rapid progress that came with the rise of the Industrial Revolution.[1] The period from approximately 1760 to between 1820 and 1840 saw the transition to new manufacturing processes from traditional hand production methods to new machine production methods.[2]

The textile industry was the first to use modern production techniques, namely mechanised cotton spinning with automatic machine looms.[2] With the arrival of automated methods, through industrialisation came too the creation of factories which maximised productivity and enhanced efficient production.[3] The unprecedented rapid and sustained economic growth demonstrated by the textile industry – through employment and value output – saw huge changes in the affordability of clothes and materials as prices fell.[4][5]

Art, culture, and politics

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The early 19th century saw a shift from 18th century Enlightenment ideologies of order, reason and rationalism to new values of imagination and emotion with the emergence of Romanticism.[6] The period of Romanticism from around 1800–1840 emphasised an opposition to stability, celebrating an appreciation of the chaotic which admires creativity, individuality, subjectivity, spontaneity, the sensory and the transcendental.[6]

In England, this period is also known as the Georgian [or Regency] Era which saw great change with rapid urbanisation as cities grew, trade expanded, and a capitalist-driven consumer culture emerged.[7]

The fashion of the time reflects this transitional period as it gradually moves away from the Empire silhouette and Neoclassical influences of Enlightenment which take inspiration from 'classical antiquity'.[8] The shift towards a new Romantic style inspired by creativity and imagination, is defined by more theatrical and dramatic designs which are inspired by a blend of the mysterious medieval past with lavish and dramatic Gothic decoration.[9] The extravagance of these displays reaches its peak nearing the end of Romanticism as 'exuberance becomes sentimentality'.[10] For both men and women, silhouettes were increasingly exaggerated with the establishment of curvaceous shapes pointing to an obvious rejection of previous Neoclassical geometric style.[11] Layers of colour and pattern added to the dramatic and expressive display which became characteristic of Romanticism and again contrasted the 18th century monochromatic palette.[11]

Mid-1800s (1830–1869)

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Technological innovations

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1830 silhouette

By mid-nineteenth century people were settling into the normal routine of life as shaped by the changes and innovations that came with the First Industrial Revolution. Further discoveries in mathematics, science and engineering saw advancements in medicine as well as huge progress for communication and transportation.[12] The introduction of telegraphy and the opening of major railways connected people in major industrial cities to one another.[12] Emerging globalisation and world-wide economic integration saw new trade routes and brought wealth to the capitalist powers of the Western world.[13] As standards of living slowly improved and income per capita was on the rise, the middle-class were beginning to spend more on indulgent rather than solely necessary goods.[14][15]

 
1840 silhouette

The modernisation of communication and transportation technologies saw a shift in the traditional consumption patterns of retail consumers. The invention of mail order business by Pryce Pryce-Jones in 1861 revolutionised shopping patterns and enabled people to order clothing and accessories [via telegram] from other parts of the world [to then be delivered via train][16] a much similar concept to contemporary online shopping habits.

Art, culture and politics

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The mid-19th century again shifts from Romanticism to Realism, sometimes called Naturalism. This ideological art movement 'sought to convey a truthful and objective vision of contemporary life'.[17]

1837 marked the beginning of the Victorian era, a time that saw tremendous progress, change and power for the British Empire and one that characterises an entire genre of fashion history.[18]

Women's fashion at the beginning of Queen Victoria's reign became more modest – corsets were paired with swelled skirts which aligned with early Victorian ideals of the modest domestic lady stereotype.[19] Layered petticoats with crinoline and steel-hoop structures,.[20][21] Menswear of the early Victorian Era was understated with the rise of the respectable male bourgeois gentleman.[18] However, soon after both men's and women's fashion became more colourful and relaxed with more exuberant styles and new techniques including passementerie trims thanks to increasing availability of the sewing machine.[22] By the latter half of mid-nineteenth century it becomes clear that fashion technologies revolutionised the designs of particularly womenswear fashion with cage crinoline enabling a larger but more lightweight hoop skirt.[23] In align with the trend of offering greater comfort, menswear 'relaxed into wide, easy cuts'.[23]

Late 1800s (1870–1899)

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1880 silhouette

Technological innovations

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The late-19th century constituted further industrialization with the Second Industrial Revolution, also known as the Technological revolution, which was responsible for illustrious innovations.[24] The modern social and economic infrastructure continued to revolutionise consumption patterns as the prices of consumer goods decreased dramatically with the increase in productivity.[25] The growth of urban centres and 'new technologies, such as the introduction of electricity into clothing manufacturing, produced a boom in the ready-to-wear market'.[26]

Progress in communications and the media meant that fashionable styles and silhouettes were widespread globally and accessible to the everyday person. With the rise of publications, magazines aimed especially at women depicted the styles in vogue at the time and began to introduce paper patterns.[27] The popularity of these patterns paired with machine innovation and ease-of-use saw a rise in the popularity of at home dressmaking.[27]

 
1890 silhouette

Art, culture and politics

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Late 19th century movements in art and culture include Impressionism and Post-Impressionism which are characterised by their rebellion against classical subject matter and that which embraces depictions of modern life including new technology and ideas[28] – 'concentrating on themes of deeper symbolism to express emotions, rather than simply optical impressions'.[29]

The women's rights and suffragist movement towards the turn of the 20th century also saw a shift in gender roles. As the 19th century neared its end, the world began to transition away from stiff Victorian fashions with the rise of the Edwardian era to new freedoms of a more simplistic dress structure and silhouette.[26]

Women's fashion of the late 19th century saw an introduction of styles with a long, slim, body-hugging silhouette that revealed the natural figure, including the popular 'princess line' and later 'artistic' style dresses.[27] These styles featured seamless waists, streamlined skirts and a slow move away from corsetry, much more practical than the conventional attire.[27] These 'slender and angular'[30] styles, had excessive decoration which compensated for the rebellion against heavy, ultra-restrictive trends.[30] Dress embellishments included bows, emphasised ruching, thick rich fabrics and trims.[31] Menswear began to have a significant influence on women's clothing[30] with masculine styles and tailoring becoming increasingly popular, women sometimes wore a shirt collar and tie, particularly when exercising.[31] For men, lounge suits were becoming increasingly popular and were often quite slim, maintaining an overall narrow silhouette.[31] A three-piece suit was a more casual attire regularly worn by businessmen, with jackets open or partially undone with a waistcoat underneath.[31] Heavily starched collars on shirts were worn high and stiff-standing, with turned down wingtips.[26]

Women's fashion

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Dress style by the decade

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1800s–1810

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1810s–1820

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1820s–1830

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1830s–1840

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1840s–1850

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1850s–1860

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1860s–1870

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1870s–1880

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1880s–1890

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1890s–1900

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Hairstyles and Headwear

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Up-do's

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Accessories

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Handmade shawls, fans and umbrellas, hats, purses and handbags were popular.[32]

Makeup and Jewelry

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Shoes

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Men's Fashion

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Suit style

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Children's Fashion

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For most of the 19th century babies wore 'long, white dresses with short sleeves'[33] whilst toddlers and young children wore 'short dresses with frilled drawers peeking out underneath'.[33]

As children grew into young adults the dress styles mimicked that of the elder generation, with the only difference being more simplistic styles and shorter lengths.[33]

Workwear

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Introduced in the beginning of the century, proper work clothes and work uniforms were a sign of a new era. It started off with small businesses and factories creating a specific uniform for their company. Not too long later, government bodies such as the police, firefighters, and miners adopted the idea.[34]

See also

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19th century fashion history (Western Countries)

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References

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  1. ^ Berlanstein, L.R. (1992). The Industrial Revolution and work in nineteenth-century Europe. London and New York: Routledge.
  2. ^ a b Landes, D.S. (1969). The Unbound Prometheus: technological change and industrial development in Western Europe from 1750 to present. Cambridge, UK: Cambridge University Press.
  3. ^ Walker, W. (1993). National Innovation Systems: Britain. In Nelson, R. (Eds.), National innovation systems: a comparative analysis. New York: Oxford University Press.  
  4. ^ Waugh, Norah (1990). Corsets and Crinolines. Routledge. ISBN 978-0878305261.
  5. ^ Hopkins, E. (2000). Industrialisation and Society: A Social History, 1830-1951. London: Routledge.
  6. ^ a b Galitz, K.C. (2004). Romanticism. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Retrieved from https://www.metmuseum.org/toah/hd/roma/hd_roma.htm Retrieved September 7, 2020.
  7. ^ British Library (2020). Georgian Britain. Retrieved from https://www.bl.uk/georgian-britain Retrieved September 7, 2020.
  8. ^ Franklin, H. (2020). 1810–1819, 19th century decade overview. Fashion History Timeline. Retrieved September 7, 2020 from https://fashionhistory.fitnyc.edu/1810-1819/
  9. ^ Franklin, H. (2020). 1820–1829, 19th century decade overview. Fashion History Timeline. Retrieved September 7, 2020 from https://fashionhistory.fitnyc.edu/1820-1829/
  10. ^ Franklin, H. (2020). 1830–1839, 19th century decade overview. Fashion History Timeline. Retrieved September 7, 2020 from https://fashionhistory.fitnyc.edu/1830-1839/
  11. ^ a b Bassett, L. (2016). Gothic to Goth: Romantic Era Fashion and Its Legacy. Hartford: Connecticut Wadsworth Atheneum Museum of Art.
  12. ^ a b Oxford Reference. (2012). Timeline: 19th century 1800–1900. HistoryWorld. Retrieved September 10, 2020 from https://www.oxfordreference.com/view/10.1093/
  13. ^ Lucas, R. (2003). The Industrial Revolution Past and Future. Annual Report of Federal Reserve Bank of Minneapolis. Retrieved September 10, 2020 from http://minneapolisfed.org/pubs/region/04-05/essay.cfm
  14. ^ Feinstein, C. (1998). Pessimism Perpetuated: Real Wages and the Standard of Living in Britain during and after the Industrial Revolution. In Journal of Economic History, 58(3), 625–658. doi:10.1017/S0022050700021100
  15. ^ Szreter, S. & Mooney, G. (2003). Urbanization, Mortality, and the Standard of Living Debate: New Estimates of the Expectation of Life at Birth in Nineteenth-century British Cities. In The Economic History Review (1998), 51(1), 84–112. doi: 10.1111/1468-0289.00084
  16. ^ BBC. (2019). Pryce-Jones: Pioneer of the Mail Order Industry. Retrieved September 10, 2020 from http://www.bbc.co.uk/legacies/work/wales/w_mid/article_3.shtml
  17. ^ Finocchio, R. (2004). Nineteenth-Century French Realism. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Retrieved September 10, 2020 from https://www.metmuseum.org/toah/hd/rlsm/hd_rlsm.htm
  18. ^ a b English Heritage. (2020). An Introduction to Victorian England (1837–1901). Retrieved September 10, 2020 from https://www.english-heritage.org.uk/learn/story-of-england/victorian/
  19. ^ Franklin, H. (2020). 1840–1849, 19th century decade overview. Fashion History Timeline. Retrieved September 10, 2020 from https://fashionhistory.fitnyc.edu/1840-1849/
  20. ^ Victoria & Albert Museum. (2016). Victorian Dress at the V&A. Retrieved September 10, 2020 from http://www.vam.ac.uk/content/articles/v/victorian-dress-at-v-and-a/
  21. ^ Cunnington, C.W. (1990). English Women's Clothing in the Nineteenth Century: A Comprehensive Guide with 1,117 Illustrations. Mineola, NY: Dover Publications.
  22. ^ Franklin, H. (2020). 1850–1859, 19th century decade overview. Fashion History Timeline. Retrieved September 10, 2020 from https://fashionhistory.fitnyc.edu/1850-1859/
  23. ^ a b Franklin, H. (2020). 1860–1869, 19th century decade overview. Fashion History Timeline. Retrieved September 10, 2020 from https://fashionhistory.fitnyc.edu/1860-1869/
  24. ^ Muntone, S. (2012). Second Industrial Revolution. Education.com. Retrieved October 8, 2020 from http://www.education.com/study-help/article/us-history-glided-age-technological-revolution/
  25. ^ Wells, D. A. (1890) Recent Economic Changes and Their Effect on Production and Distribution of Wealth and Well-Being of Society. New York: D. Appleton & Co.
  26. ^ a b c Franklin, H. (2020). 1890–1899, 19th century decade overview. Fashion History Timeline. Retrieved October 15, 2020 from https://fashionhistory.fitnyc.edu/1890-1899/
  27. ^ a b c d Victoria & Albert Museum. (2016). Introduction to 19th-Century Fashion. Retrieved October 11, 2020 from http://www.vam.ac.uk/content/articles/i/introduction-to-19th-century-fashion/
  28. ^ Samu, M. (2004). Impressionism: Art and Modernity. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Retrieved October 15, 2020 from https://www.metmuseum.org/toah/hd/imml/hd_imml.htm
  29. ^ Voorhies, J. (2004). Post-Impressionism. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art. Retrieved October 15, 2020 from https://www.metmuseum.org/toah/hd/poim/hd_poim.htm
  30. ^ a b c Franklin, H. (2020). 1880–1889, 19th century decade overview. Fashion History Timeline. Retrieved October 15, 2020 from https://fashionhistory.fitnyc.edu/1880-1889/
  31. ^ a b c d Victoria & Albert Museum. (2016). History of Fashion 1840–1900. Retrieved 31 October 2020 from http://www.vam.ac.uk/content/articles/h/history-of-fashion-1840-1900/
  32. ^ "Модні жіночі хитрощі містянок у минулих століттях Оттава". 24 June 2022.
  33. ^ a b c Buck, A. (1996). Clothes and the Child: A Handbook of Children's Dress in England, 1500–1900. New York: Holmes & Meier.
  34. ^ "A brief history of workwear and uniforms". 2022-04-12. Retrieved 2023-09-19.