Wikipedia

Nor the Moon by Night

(Redirected from Elephant Gun (film))

Nor the Moon by Night is a 1958 British drama film directed by Ken Annakin and starring Belinda Lee. It was based on the novel by Joy Packer and partly filmed in the Kruger National Park, South Africa. The title is a quote from the Old Testament passage (Psalm 121:6); "The sun shall not smite thee by day, nor the moon by night."

Nor the Moon by Night
Film poster
Directed byKen Annakin
Written byGuy Elmes
Based onnovel by Joy Packer
Produced byJohn Stafford
StarringMichael Craig
Belinda Lee
Patrick McGoohan
CinematographyHarry Waxman
Edited byAlfred Roome
Music byJames Bernard
Production
company
IFP Limited
Distributed byRank Organisation
Release date
  • 1958 (1958) (UK)
Running time
84 minutes
CountryUnited Kingdom
LanguageEnglish

The film was released in the United States as Elephant Gun. It has several sections in Swahili but is not subtitled.

Plot summary

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Two brothers, Rusty and Andrew Miller, are game wardens in Africa. Andrew's fiancée visits from the UK, and falls in love with Rusty.

A broken headlight caused by a crashed Land Rover starts a bush fire, and the humans try to beat it out as the wildlife stampedes to escape. Meanwhile, Andrew has tied himself into a tree to escape the lions but threatens to be burnt in the fire.

Cast

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US release poster

Production

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Development

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Joy Packer's novel was published in 1957.[1] Film rights were bought by Sir John Davis of the Rank Film Organisation, in part because Davis' wife Dinah Sheridan was a fan of the novel.[2] Packer later wrote she sold the rights via a "contract which reduced me to nothing and made me feel like the man who sold his shadow to the devil".[3]

In the late 1950s, the Rank Organisation made a series of adventure films in colour shot on location which were aimed at the international audience. These included The Black Tent, Robbery Under Arms, Ferry to Hong Kong, Campbell's Kingdom and Nor the Moon by Night.

The film was directed by Ken Annakin who was making it under a two picture contract he had with Rank. He says that he did not really want to do the job. The film he really wanted to make was The Singer Not the Song but when he could not get the casting he wanted for that film he decided to make the second film under his deal, Nor the Moon by Midnight. He agreed because it gave him the chance to see South Africa.[4][5] He later wrote "At this period, both Guy and I believed we could turn almost any material into a viable screenplay, and the opportunity to travel again and make a movie with the easygoing John Stafford finally swept away any scruples I had. “It’s really only just to give us time to hook Brando and make the big movie next,” he assured me."[6]

Packer says producer John Stafford flew out to South Africa to meet with her and secure her help in making the movie. He showed her the script which she found "amazingly fresh and new. The basic situation and a few names and places were vaguely familiar. I recognised none of the dialogue and only part of the action, but the story sounded exciting."[7]

Packer felt Belinda Lee was physically miscast to play the role, but Annakin pointed out she was under contract and felt "she'll play Alice very convincingly. She's very intense - is Belinda".[8] Filmink said "Lee’s part was in the "sensible girl" realm, a spinster who discovers love on the veldt in between being attacked by wildlife."[9] Annakin later wrote "our great coup was supposed to be Belinda Lee, a very beautiful model, who had been picked up by Rank and was now regarded, at least by John Davis, as their ‘Big Attraction’. Nobody thought of her as a great actress, but she did look great, and I felt with careful direction, she could be adequate."[10]¿

Packer later wrote "none of the cast bore the faintest resemblance to my characters."[11]

Shooting

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Filming began on 23 November 1957 on location in South Africa.[12][13] The unit was based at Cato Ridge.[14] The bulk of location shooting took place in the Valley of a Thousand Hills near Durban, with second unit work involving animals hear Johannesburg. At one stage the film was known as The Voice of the Lion.[15]

Production was plagued by a number of difficulties. Belinda Lee left the unit during the shoot to see her married lover in Italy who had been threatening to kill himself; they both attempted suicide.[16] Patrick McGoohan suffered concussion after crashing his car. Anna Gaylor fell ill with dysentery.[14]

Director Ken Annakin had a number of issues with the crew; he later wrote that the electricians sabotaged director of photography Peter Hennessey's rushes with incorrect light filters, forcing him to be replaced by Harry Waxman.[17] The cast and crew consistently fell sick, with snake and spider bites, heat exhaustion, dysentery, rheumatism and chest complaints the chief cause.[18] He wrote "despite the efforts Guy Elmes and I had made, the screenplay had not escaped its ‘women’s magazine origins. The situations were trite, and the relationships cliche, so that neither I nor the actors were making the dialogue real and convincing."[19]

Michael Craig wrote in his memoirs that Annakin was known among the crew "not very lovingly" as "Panickin' Annakin".[20]

Lee returned from Italy on 2 February 1958 to recommence filming. She flew into Johannesburg Airport, then took a flight to Durban. Questions were asked in South African parliament whether Lee was given special treatment to get into the country as a customs and immigration officer went to meet her on the plane at Johannesburg airport so she could avoid the press. "I regret any harm I have done to anyone in Italy," she said.[21]

One of the cheetahs used in filming savaged its trainer. A bush fire got out of control. Michael Craig, although married, had an affair on set with a woman called Shirley.[22] He also almost drowned crossing a river.[14]

At one point, Michael Craig was the only one of the four leads available at work. He later quipped "I'm left alone for three weeks with a film crew and a lot of monkeys."[23] Annakin said "one day there was only me and a snake available to work."[24] However Annakin did meet his future wife Pauline during filming.[14]

The unit returned to London in April 1958 where some additional scenes were shot, including a new ending.[14] "I feel as if I have just come out of prison", said Lee on her return. "I have been watched and questioned all the time. I'm 22 and hope to marry again before I'm 80. Love is the important thing. I believe in letting my heart rule my head." Filming took around a month.[25]

The movie was completed over budget and behind schedule. Rank terminated Lee's contract, and she never worked for the studio again.[26] The job of directing The Singer Not the Song was taken from Annakin and given to Roy Ward Baker.

Rank said the combined cost of the film and three others - Innocent Sinners, The Wind Cannot Read and Night to Remember - was £1,100,000.[27]

Reception

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Variety praised the photography but criticised the acting and script.[28]

The film managed to recoup its costs in Europe and made a profit after its release in the United States.[17][14]

Annakin later said "the picture was a mediocre hotch potch."[24] He elaborated " as I had always suspected, it could never make a great statement about Africa, but after shooting a new ending, the result was passable entertainment. But we had gone so far over budget that my honeymoon with John Davis was over. All the promises of my making The Singer Not The Song were broken." He added "Over the long haul, the movie recouped its budget in Europe, and made some profit in the U.S.... but there were no bonuses or deferments for us — except that I had Pauline, and no bonus could have been greater."[29]

References

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  1. ^ John Hughes. The (12 June 1958). "Writers and Writing: A Report From Cape Town". The Christian Science Monitor. p. 11.
  2. ^ Harper, Sue; Porter, Vincent (2003). British Cinema of the 1950s: The Decline of Deference. Oxford University Press. p. 386. ISBN 978-0-19-815934-6.
  3. ^ Packer, p. 114
  4. ^ Brian McFarlane, An Autobiography of British Cinema, 1997 p 26
  5. ^ Annakin p 83
  6. ^ Annakin p 83
  7. ^ Packer, p. 115
  8. ^ Packer, p. 116
  9. ^ Vagg, Stephen (7 September 2020). "A Tale of Two Blondes: Diana Dors and Belinda Lee". Filmink.
  10. ^ Annakin p 85
  11. ^ Packer, p. 122
  12. ^ "Variety (March 1958)". Variety. p. 22.
  13. ^ "Love under an African moon". The Australian Women's Weekly. Vol. 26, no. 21. 29 October 1958. p. 73. Retrieved 14 May 2016 – via National Library of Australia.
  14. ^ a b c d e f Steve Chibnall, "Nor the Moon by Night", Network Publishing, 3 August 2015
  15. ^ BRITAIN'S MOVIE SCENE: J. Arthur Rank Approves Common Market - STEPHEN WATTS. The New York Times. 27 October 1957: X7.
  16. ^ Belinda Lee at Glamour Girls of the Silver Screen
  17. ^ a b Nor the Moon by Night at BFI Screenonline
  18. ^ "Rank Unit working in Africa Finds Voodoo Hoodoo Costly". Variety. 26 February 1958. p. 12.
  19. ^ Annakin p 88
  20. ^ Craig, Michael (2005). The Smallest Giant: An Actor's Life. Allen and Unwin. p. 80.
  21. ^ I Know what they think, says Belinda Date: Thursday, Feb. 6, 1958 Publication: Daily Mail (London, England)p 7
  22. ^ Craig p 81-82
  23. ^ "Boy's way with words" The Age 2005
  24. ^ a b Brian McFarlane, An Autobiography of British Cinema, 1997 p 27
  25. ^ Goring, Edward, "Love is all, says Belinda Lee", Daily Mail, 9 April 1958, p. 3
  26. ^ "Remembering Belinda Lee", De Montfort University
  27. ^ Film Correspondent, "Rank's to Stop Four Films & Dismiss 300", The Daily Telegraph, 1 January 1958, pp. 1, 12
  28. ^ Review of film at Variety
  29. ^ Annakin p 95

Notes

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