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Japanese female beauty practices and ideals

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Japanese female beauty practices and ideals are a cultural set of standards in relevance to human physical appearance and aesthetics. Distinctive features of Japanese aesthetics have the following qualities: simplicity, elegance, suggestion, and symbolism.[1] Concepts of female beauty originate from its traditional culture which has lasted for more than a century, some of which include long, straight black hair,[2] pale white skin, and slim eyes.[1] According to Kowner and Ogawa, the modern concept of physical attractiveness in Japan emanates from distinct, native traditions that have persisted for more than a century despite pervasive Western influence of values and ideals.[1]

Importance of female facial beauty

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Facial beauty is important as human evolution begins with attraction and mate choice. Particularly for women, there have been benefits of physical attractiveness as it is often linked with increased economic mobility.[3] For example, those who are attractive are seen to be confident with positive personality traits, able to pursue high-status occupations, and have happy and successful marriages.[3]

However, Japanese women may take steps to make themselves conventionally unattractive, as Japanese men may be intimidated by women who are 'too beautiful'. One example of a modern beauty ideal among Japanese women is yaeba/八重歯 ("double tooth"), which is the state of having crooked fang-like teeth.[4] In recent years it has become common for women to have their teeth surgically altered to emulate this condition.[5] Although this practice is derided in the United States, where more than $100 billion is spent yearly to straighten and perfect the teeth of the citizens of that country, yaeba is considered endearing in Japanese women, as Japanese men are more likely to approach a woman who is "imperfect".[6]

History

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Hakuhō (646–710)

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The first form of white face powder was made out of rice flour and white soil during the Hakuhō period.[7] The manufacture of this was imported from China. This was limited to the upper class until the Edo period (1600–1868) where it was used extensively by the public.[7]

Nara (710–793)

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During the Nara period, lips and eyelids were given a red tint, and red beauty spots were painted on the outer corners of the lips and eyes, as well as in between the eyebrows.[8] Hikimayu, the removal of natural eyebrows and penciling in new ones was practiced primarily in the upper classes. This became a norm for every woman to represent their married status, and until the end of the 19th century this continued.[7]

Heian (793–1185)

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Teeth blackening during the Heian period, known as ohaguro, involved coating the teeth black with paint, mainly done by the wealthy. There are many suspected reasons Japanese people practiced teeth blackening. Some sources claim black teeth imitated tooth decay, and decay was a status symbol as only the wealthy could afford sweets.[9] Other sources claim it was done purely for aesthetic reasons.[10] However, most sources agree that it was a tradition carried out at marrying age to symbolize a woman’s maturity.[10] This was used to sustain healthy teeth, as well as enhance sex appeal.[7] Plump, round faced women were considered beautiful in this period, symbolising wealth as they were able to afford a lot of food.[8] Straight, long black hair was also ideal. In essays written in 1002 called The Pillow Book, Sei Shōnagon, a court lady stated that she envied "beautiful, very long hair".[8]

Kamakura (1180-1333)

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As samurai rose to power in the Kamakura period, women warriors were also more prominent that is commonly believed. The onna-musha (female warriors) acquired skills in martial arts, archery, and horse riding since families fought together. Some sources say that warrior men and women dressed alike, and that their hairstyles were sometimes indistinguishable.[11]

Edo (1600–1868)

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Etiquette of how to use the cosmetics was important during the Edo period, with emphasis of the colours white, red and black.[9] The use of white face powder and teeth blackening continued. Heavy red lipstick made out of safflowers became popular.[9] Face steaming was thought to make the skin white and smooth, and sanekazura root juice was used to straighten hair.[8] Light, proper use of makeup was ideal. The women of Osaka and Kyoto were ridiculed as they used heavier makeup than the women in Tokyo, considering them to be "yabo" (rough).[7] Slim and fragile women with up turned eyes and narrow faces also began to be the ideal, shifting away from the preference of plumpness.[8] Small hands and feet were also considered beautiful, therefore socks and rings were worn by women in their sleep to slow down the growth of their limbs.[8]

Meiji (1868–1912)

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After the Meiji Restoration in 1868, there was a westernisation of makeup techniques and clothing from the influence of the cultural exchange with the United States and Europe.[7] Admiration of the white skin of westerners was sometimes recorded in the historical writings of Japanese visitors to the United States, however Japanese men were disheartened to see that white women had red hair and "dog-shaped" eyes, which they considered unattractive. The same Japanese male visitors described how they occasionally saw American women with "black hair and black eyes", who they figured were from "some Asian race", and therefore naturally more attractive than white women.[12][8]

White skin tone as a symbol of beauty

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Shiseido's "White Lucent" skincare range, aimed at taking care of the skin while delivering whitening components

Since recorded time, white skin has been highly valued as an element of beauty. An old saying mentioned that "white skin makes up for seven defects", meaning that white skin can over shine the lack of other desired physical qualities.[8] Light skin in Japan has connotations of national identity and "purity", as lighter skin is seen as "more Japanese".[13]

However, the "white skin" notion in Japanese culture does not refer to the skin color of Caucasian women. The ideal female skin color in Japan would be considered "tan" in the West. According to Ashikari, there is a widepread perception in Japan that European women's skin is less beautiful than Japanese women's, as White women's skin is stereotyped as being too pale, reddish, and roughly textured.[14]

The earliest to conduct research on this topic is by an anthropologist Hiroshi Wagatsuma. He argued in his 1967 article that there was a dichotomy in the 1960s of white vs. black with the preference of white heavily endorsed in aesthetic values.[15] This preference is rooted in Japan's own tradition, simply for aesthetic preference rather than the influence of western culture.[15] In the fieldwork conducted by Ashikari (2005), it was found that the same skin tone shared amongst the Japanese as a race is something they take pride in, and is often expressed to represent "Japaneseness".[15]

Double eyelids

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In feudal Japan, as there was little influence from other countries, beautiful women in ukiyo-e were portrayed with slim eyes and single eyelids.[16] During the opening of Japan to the West in the Meiji Restoration, Japanese physician M. Mikamo was the first surgeon to publish a technique for East Asian blepharoplasty, to westernise the Asian eyelid.[17] The submissive femininity that was highly valued before was replaced by a new concept of liberated women. Japanese women admired the beauty of Westerners, and Mikamo considered these desires, and through his surgical efforts he opted to satisfy their claims in which he was successful.[17] To only achieve westernisation was not the purpose of the surgery, it was to reduce the traditional Japanese look, which was considered too submissive, and to instead reflect the new liberated feminine beauty.[17] Double eyelids did not automatically mean westernisation as fifty percent of Asians are born with double eyelids.[18]

Often in Asian cosmetics shops there are eyelid glues and tapes to stick the top of the eyelid skin together to create the illusion of a double eyelid. These products are often advertised in girls magazines such as Popteen.[19]

Elimination of traditional practices

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During the Meiji restoration there were aims of building a new modern economy, and the government also sought to modernise the appearance of the Japanese society. The Emperor's face was westernised to encourage the ban of whitening males faces, but to maintain the traditional values, women's faces were still whitened.[20] In 1914, the government banned female eyebrow shaving in urban areas, as well as tooth blackening as it was thought to be barbaric by Western ideals.[20][7] The ideals of beauty transformed from having slim eyes, painted thin eyebrows and slim faces to having larger eyes, rounder faces and thick eyebrows.[20] Increasingly the younger generations have been seeing sun-tanned skin as an indication of wealth and privilege, as they are able to afford summer holidays overseas by the seaside.[8]

The commercialisation of beauty and cosmetics are a strong influence to the Japanese aesthetic ideals.[7] Some authors have also observed a sense of pan-Asian female identity in aesthetic ideals in cosmetic advertising, especially in the 21st century.[21]

Skincare

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Anti-aging skin care

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In the 19th century women over 35 were respected and praised as virtuous grandmothers, but were seemed as unattractive.[20] By the start of the 20th century, older women were considered more beautiful, and the cosmetics industry had introduced anti-aging products such as creams, and practices of dyeing hair.[20] This was fundamental in skin care brands as it assured women their youth could be restored, a highly valued beauty ideal. Japan was the largest non-western market for the demand of anti-aging products.[20]

Hygienic skin culture

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The Japanese perceptions of excessively whitening their skin was changed by two events. The first one was the Food and Drugs Standards Law in 1900, forbidding the use of lead-based makeup.[22] The second was more information about the dangers of lead poisoning, contributing to anxieties of maintaining skin health.[22] Traditional cosmetics were viewed as dangerous and the maintenance of clear pores became a serious aspect, especially due to the Nakamura Incident of 1887, where a kabuki actor was wearing heavy makeup on stage and then suffered from "skin suffocation".[22]

Biganjutsu (the technique of the beautiful face) emerged as a practice that made caring for the skin as a basic hygiene.[22] The average facial, available in urban areas involved putting a hot towel on the face to open up pores, massaging the face with cream, and lastly electrotherapeutic devices were used.[22] This assured smooth, blemish and wrinkle-free skin without the need of having to over up with heavy makeup. The new beauty goal was to create a healthy complexion, radiating with "natural beauty".[22]

Shiseido

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Throughout the Taishō period (1912–1926), there was a further Westernisation in Japan, with flourishing amounts of western fashion in Ginza, the first shopping district in Tokyo. New cosmetics products that came from liberal ideas of scientists originated from Shiseido.[7] Arinobu Fukuhara was an entrepreneur who opened the Shiseido pharmacy in Ginza in 1872, Japan's first western style pharmacy, distinctive from when the pharmacies only sold traditional Chinese medicine at the time.[20] Shiseido's success emerged from the launch of a luxurious skin lotion called Eudermine in 1897. To create an emotional association, they used a non-Japanese name, from classical Greek terms meaning "good" and "skin". It was so successful that it is still continued to be sold today.[20] The exotic motto "Richness in All" used by Shiseido accurately represented the time as it was when Japan was still new to western influences.[7] In 1923, women were limited to only one shade of powder which was pure white, but Shiseido then produced powder of seven different shades of skin colour.[7] This new range promoted that the natural skin colour was the beauty ideal, allowing women to match their own colour, expressing liberation and individuality of women.[7]

Make-up

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The shift away from pure whiteness

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Starting from the Heisei Period (1989–2019), natural, healthy and clear skin was the new standard of beauty, redeveloping the meaning of whiteness.[22] The cosmetics industry introduced powders that were skin coloured, and not just pure white.[22] Pure white also sometimes revealed signs of disease and was no longer considered as beautiful as it once was before.[22] The new ideal of skin colour was nikutaibi, which implied health and is a balance between tan and white, a complexion of pink paleness. Healthy skin was highly important as it was seen to be associated with fertility potential, especially during the prewar period.[22]

Natural make-up style

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After the Equal Employment Opportunity Law (Japan) in 1985, the makeup style for women was heavy, emphasising their facial features by contouring, colouring in their eyebrows dark, and using deeper lip shades.[23] This shifted towards a natural (lesser) style of makeup after the 2011 Tōhoku earthquake and tsunami, also known as the Great East Japan Earthquake. It was seen to express a softer beauty in a sensitive time of healing.[23] This style has continued until today, with lesser makeup being preferred over both heavy makeup and no-makeup styles.[23]

See also

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References

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  1. ^ a b c Kowner, Rotem; Ogawa, Toshiki (1993). "The Contrast Effect of Physical Attractiveness in Japan". The Journal of Psychology. 127 (1): 51–64. doi:10.1080/00223980.1993.9915542. ISSN 0022-3980. Page 52: "The modern concept of physical attractiveness in Japan emanates from distinct traditions and abides by a long native tradition of aesthetics and concepts of beauty that have endured for more than a century in spite of a pervasive Western influence of values and ideals. But the traditional idea of physical beauty is difficult to discern because of recent Western influences. Nevertheless, the old ideals can still be detected in many features of contemporary Japanese society, such as art, architecture, and fashion. The appreciation and appraisal of human beauty and physical attractiveness are inherent to general aesthetics, a theme that had been elevated "to something close to a religion" in the Japanese court since the 10th century and later spread from the court provinces (Ueda, 1983)."
  2. ^ Minor, W. (2004). Jazz Journeys to Japan: The Heart Within. Jazz Perspectives Series. University of Michigan Press. p. 164. ISBN 978-0-472-11345-3.
  3. ^ a b Little, Anthony C. (2014-11-01). "Facial attractiveness". Wiley Interdisciplinary Reviews: Cognitive Science. 5 (6): 621–634. doi:10.1002/wcs.1316. hdl:1893/21991. ISSN 1939-5086. PMID 26308869. S2CID 206548176.
  4. ^ DeMello, Margo (2012). Faces Around the World: A Cultural Encyclopedia of the Human Face. ABC-CLIO. p. 63-64. ISBN 978-1-59884-617-1.
  5. ^ Kofman, Lee (8 January 2019). Imperfect: How Our Bodies Shape the People We Become. Affirm Press. p. 152-153. ISBN 978-1-925870-37-4.
  6. ^ Considine, Austin (21 October 2011). "A Little Imperfection for That Smile?". The New York Times. "In Japan, in fact, crooked teeth are actually endearing, and it shows that a girl is not perfect. And, in a way, men find that more approachable than someone who is too overly perfect."
  7. ^ a b c d e f g h i j k l Isa, Masako 伊佐, 雅子 沖縄大学人文学部国際コミュニケーション学科. Semiotics of the Other and Physical Beauty: The Cosmetics Industry and the Transformation of Ideals of Beauty in the U.S. and Japan, 1800's － 1960's. 沖縄大学人文学部. OCLC 996935857.{{cite book}}: CS1 maint: multiple names: authors list (link)
  8. ^ a b c d e f g h i Wagatsuma, Hiroshi (1967). "The Social Perception of Skin Color in Japan". Daedalus. 96 (2): 407–443. ISSN 0011-5266. JSTOR 20027045.
  9. ^ a b c Chō, Kyō (2012). The search for the beautiful woman : a cultural history of Japanese and Chinese beauty. Translated by Selden, Kyoko Iriye. Lanham: Rowman & Littlefield Publishers, Inc. ISBN 978144221895-6. OCLC 824351053.
  10. ^ a b Matthews, G.D. (2012). "The practice of tooth darkening in Southeast Asia and the Pacific" (PDF). City Tech Writer. 7: 76–78.
  11. ^ Nowaki, Rochelle (2013). "Women Warriors of Early Japan" (PDF).
  12. ^ Jones, D. (1996). Physical Attractiveness and the Theory of Sexual Selection: Results from Five Populations. Anthropological Papers Series. University of Michigan Press. p. 123. ISBN 978-0-915703-40-1. Retrieved 2023-09-07. The women's skin was white, and they were charming in their gala dresses decorated with gold and silver but their hair was red and their eyes looked like dog eyes, which was quire disheartening," and "Occasionally I saw women with black hair and black eyes. They must have been of some Asian race. Naturally they looked more attractive and beautiful." (1968:136)
  13. ^ Arudou, Debito (26 November 2021). Embedded Racism: Japan's Visible Minorities and Racial Discrimination. Rowman & Littlefield. p. 46. ISBN 978-1-7936-5396-3. "Being "white" is a common symbol of culturally valued "purity" and "cleanliness," thus lighter skin is preferable to darker as it looks "cleaner," meaning darker skin is considered "less Japanese."
  14. ^ Mire, Amina (4 September 2019). Wellness in Whiteness: Biomedicalization and the Promotion of Whiteness and Youth among Women. Routledge. p. 114. ISBN 978-1-351-23412-2. My informants, mainly women insisted that Japanese skin was superior to Caucasian skin. Although many of my informants had little personal contact with Westerners, they all made more or less identical negative comments about Caucasian women's skin, saying, for example, that it was rough, aged quickly and had too many spots [...] with color resembling 'shabu-shabu'...
  15. ^ a b c Ashikari, Mikiko (2005). "Cultivating Japanese Whiteness". Journal of Material Culture. 10 (1): 73–91. doi:10.1177/1359183505050095. ISSN 1359-1835. S2CID 144951220.
  16. ^ Lee, James J.; Thomas, Ewart (2012). "Comparing the Eyes Depicted in Japanese Portraits of Beautiful Women: The Meiji and Modern Periods". Aesthetic Plastic Surgery. 36 (3): 504–510. doi:10.1007/s00266-011-9857-y. ISSN 0364-216X. PMID 22302188. S2CID 19979311.
  17. ^ a b c Lam, S. M. (2002-07-01). "Mikamo's Double-Eyelid Blepharoplasty and the Westernization of Japan". Archives of Facial Plastic Surgery. 4 (3): 201–202. doi:10.1001/archfaci.4.3.201. ISSN 1521-2491. PMID 12167084.
  18. ^ Aquino, Yves Saint James; Steinkamp, Norbert (2016). "Borrowed beauty? Understanding identity in Asian facial cosmetic surgery". Medicine, Health Care and Philosophy. 19 (3): 431–441. doi:10.1007/s11019-016-9699-0. ISSN 1386-7423. PMID 26983846. S2CID 33858610.
  19. ^ Miller, Laura, 1953- (2006). Beauty up : exploring contemporary Japanese body aesthetics. Berkeley: University of California Press. ISBN 9780520938847. OCLC 71387603.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  20. ^ a b c d e f g h Jones, Geoffrey (2010-02-25). Beauty Imagined: A History of the Global Beauty Industry. OUP Oxford. ISBN 9780199556496.
  21. ^ Jones, Geoffrey (25 February 2010). Beauty Imagined: A History of the Global Beauty Industry. OUP Oxford. p. 314. ISBN 978-0-19-160961-9.
  22. ^ a b c d e f g h i j Evans, Jennifer (2018). "Facing Modernity: Japanese Women and Hygienic Facial Culture (Biganjutsu) in the Early Twentieth Century". U.S.-Japan Women's Journal. 53 (1): 3–26. doi:10.1353/jwj.2018.0000. ISSN 2330-5029. S2CID 165768058.
  23. ^ a b c Tagai, Keiko; Ohtaka, Hitomi; Nittono, Hiroshi (2016-03-01). "Faces with Light Makeup Are Better Recognized than Faces with Heavy Makeup". Frontiers in Psychology. 7: 226. doi:10.3389/fpsyg.2016.00226. ISSN 1664-1078. PMC 4771839. PMID 26973553.
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