Kendrick Lamar (also referred to as The Kendrick Lamar EP) is the eponymous debut extended play (EP) by American rapper Kendrick Lamar. It was released on December 31, 2009, through Top Dawg Entertainment (TDE), as a free digital download.[1] It is Lamar's first project to be released under his birth name; he previously released music under the stage name K.Dot from 2003 to late 2009.
Kendrick Lamar | ||||
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EP by | ||||
Released | December 31, 2009 | |||
Recorded | Late 2008–09 | |||
Studio |
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Genre | Hip hop | |||
Length | 62:28 | |||
Label | TDE | |||
Producer |
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Kendrick Lamar chronology | ||||
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Production on Kendrick Lamar was handled by Sounwave, Black Milk, Jake One, Q-Tip and Wyldfyer, among others. It features guest appearances from Angela McCluskey, Ab-Soul, JaVonte, Jay Rock, BJ the Chicago Kid, Punch, Schoolboy Q and Big Pooh. The EP premiered exclusively on DatPiff, and has since been downloaded over 1 million times on the platform.[2]
Critical reception
editShawn Setaro of Complex appreciated the EP for sharing a glimpse of Lamar's artistry, adding that the reason why the project has resonated with audiences years after its release is because of his consistency. He also noted that several themes and characters that would be the focal point in Lamar's later albums, such as the title of Good Kid, M.A.A.D City (2012), were introduced for the first time on Kendrick Lamar.[3] Writing for HotNewHipHop, Caleb Hardy described the EP as a "straining" listen. He criticized the "half-baked" nature of its production and songwriting, but acknowledged it as an admirable and engaging project.[4]
Echoing Setaro's statements, Rolling Stone's Mosi Reeves characterized Kendrick Lamar as a Rosetta Stone of songwriting ideas that Lamar would later delve into on future albums. He praised the EP as being the first standout project of his career, describing it as "redolent of peak blog-rap," and applauded Lamar for eschewing the excessive freestyling over radio hit singles from his previous mixtapes in favor of a project that focuses on his writing and accompanied by "lovely yet doleful production." Reeves believed that although Kendrick Lamar did not receive the mainstream recognition that he felt it deserved, the "cathartic" EP restored Lamar's reputation and anticipation for new music following the overwhelmingly negative reception surrounding his third solo mixtape, C4 (2009).[5]
Track listing
editNo. | Title | Writer(s) | Producer(s) | Length |
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1. | "Is It Love" (featuring Angela McCluskey) |
| Sounwave | 4:00 |
2. | "Celebration" |
| Sounwave | 3:51 |
3. | "P & P" (featuring Ab-Soul) |
| King Blue (of Sore Losers) | 4:42 |
4. | "She Needs Me" (featuring JaVonté) |
| Sounwave | 3:31 |
5. | "I Am (Interlude)" |
| Q-Tip | 1:20 |
6. | "Wanna Be Heard" |
| Black Milk | 4:37 |
7. | "I Do This" (featuring Jay Rock) |
| Sounwave | 4:08 |
8. | "Uncle Bobby & Jason Keaton" (featuring JaVonté) |
| Insomnia | 4:00 |
9. | "Faith" (featuring BJ the Chicago Kid and Punch) |
| King Blue | 4:51 |
10. | "Trip" |
| Sounwave | 3:50 |
11. | "Vanity Slaves" |
| The Foreign Exchange | 4:15 |
12. | "Far From Here" (featuring Schoolboy Q) |
| Jake One | 3:53 |
13. | "Thanksgiving" (featuring Big Pooh) |
| Wyldfyer | 3:39 |
14. | "Let Me Be Me" |
| Rahk | 7:20 |
Total length: | 62:28 |
No. | Title | Writer(s) | Producer | Length |
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15. | "Determined" (featuring Ash Riser) |
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| 4:31 |
Sample credits
- "Is It Love" contains a sample of "Don't Look Back", as performed by Telepopmusik and Angela McCluskey.
- "Celebration" contains a sample of "Hummin'", as performed by Roy Ayers.
- "P&P" contains a sample of "Clock With No Hands", as performed by The Roots & Mercedes Martinez.
- "She Needs Me" contains samples of "Byrdshot and Bye", as performed by Dimlite; and "Long Red", as performed by Mountain. The song also contains a drum sample from "Let's Ride", as performed by Q-Tip.
- "I Am (Interlude)" contains a sample of "Believe", as performed and produced by Q-Tip featuring D'Angelo.
- "Wanna Be Heard" is a remix of "Popular Demand", as performed and produced by Black Milk.
- "I Do This" contains a sample of "Don't You Want to Stay", as performed by Bill Withers.
- "Faith" contains a sample of "Tired of Fighting", as performed by Menahan Street Band.
- "Vanity Slaves" is a remix of "Daykeeper", as performed by The Foreign Exchange featuring Muhsinah, and produced by Nicolay.
- "Thanksgiving" contains samples of "Almost Like Being in Love" as performed by Nat King Cole, and "Long Red", as performed by Mountain.
- "Determined" contains samples of "Family", as performed by Lamont Dozier, and interpolates "Touch the Sky", as performed by Kanye West featuring Lupe Fiasco.
References
edit- ^ Meadows-Ingram, Benjamin (October 22, 2012). "Kendrick Lamar: The Story Behind 'good kid, m.A.A.d city'". Billboard. Prometheus Global Media. Retrieved November 4, 2012.
- ^ "Kendrick Lamar (EP) Mixtape by Kendrick Lamar". DatPiff. Retrieved April 15, 2023.
- ^ Setaro, Shawn (July 12, 2022). "Ranking Kendrick Lamar's Albums From Worst to Best". Complex. Retrieved April 15, 2023.
- ^ Hardy, Caleb (March 11, 2023). "Kendrick Lamar's Albums, Ranked". HotNewHipHop. Retrieved August 14, 2023.
- ^ Reeves, Mosi (July 14, 2017). "Mixtape Primer: Reviewing Kendrick Lamar's Pre-Fame Output". Rolling Stone. Retrieved April 15, 2023.
External links
edit- Kendrick Lamar at Discogs (list of releases)