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Aegidius Sadeler

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Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors.

Aegidius Sadeler
Aegidius Sadeler engraved by Pieter de Jode II after a self-portrait
Born1570
Antwerp
Died1629 (aged 58–59)
Prague
NationalityFlemish, Bohemian

Life

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Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries.

 
Summer, after Pieter Stevens II

His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550–1632), Rudolf II's gemologist and physician.[3]

After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan, "He used the graver with a commanding facility, sometimes finishing his plates with surprising neatness, when the subject required it; at other times his burin is broad and bold. His plates are very numerous, representing historical subjects, portraits, landscapes, &c. some of them from his own designs, many of which are much esteemed, particularly his portraits, which are executed in an admirable style.

Sadeler died in Prague in 1629. He had many pupils, including Wenzel Hollar and Joachim von Sandrart, who wrote his biography.[6]

His prints include:

Portraits

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Allegory on the reign of Emperor Matthias, 1614
 
 
Preparatory drawing by Hans von Aachen for a print with effigy of Emperor Rudolph II, National Library of Poland[7] and Sadeler's print from 1603, Metropolitan Museum of Art.

Various subjects from his own designs

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  • A set of twelve plates, representing Angels with the Instruments of the Passion.
  • A set of fifty-two Views near Rome, entitled Vestigi delle Antichita di Roma.
  • The Burning of Troy, an etching; 2Eg. Sadeler, fecit, aqua forti.
  • Charity, represented by a female figure with three children.
  • Narcissus admiring himself in a Fountain.
  • Pan and Syrinx.
  • St. Sebastian dying, with an Angel drawing out the Arrows from his side.
  • St. Dominick receiving the Institution of his Order from St. Peter and St . Paul."

References

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  1. ^ Name variations: Aegidius Sadeler (II), Ægidius Sadeler, Egidius Sadeler, Gillis Sadeler
  2. ^ Aegidius Sadeler in the RKD
  3. ^ Zylberman, Nicolas (2022). "Anselme Boece de Boodt, 1550 – 1632, gemmologue praticien. De Bruges à Prague, itinéraire européen d'un humaniste - 1ère partie". Ikuska. 53: 41–62 – via Academia.
  4. ^ Michael Bryan's A Biographical and Critical Dictionary of Painters and Engravers, Volume II, 1816 (Egidius or Giles Sadeler)
  5. ^ Het Gulden Cabinet, 1682, p 482
  6. ^ Aedidius Sadeler in Sandrart's Teutsche Academie, 1662
  7. ^ Marcin Latka. "Preparatory drawing for Aegidius Sadeler's print". Archived from the original on 31 March 2019. Retrieved 31 March 2019.
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