The Myths Portal
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.
Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
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In Norse mythology, Gerðr (Old Norse: [ˈɡerðz̠]; "fenced-in") is a jötunn, goddess, and the wife of the god Freyr. Gerðr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson; and in the poetry of skalds. Gerðr is sometimes modernly anglicized as Gerd or Gerth.
In both the Poetic Edda and the Prose Edda, Freyr sees Gerðr from a distance, becomes deeply lovesick at the sight of her shimmering beauty, and has his servant Skírnir go to Jötunheimr (where Gerðr and her father Gymir reside) to gain her love. In the Poetic Edda Gerðr initially refuses, yet after a series of threats by Skírnir she is forced to yield. In the Prose Edda, no mention of threats is made. In both sources, Gerðr agrees to meet Freyr at a fixed time at the location of Barri and, after Skírnir returns with Gerðr's response, Freyr laments that the meeting could not occur sooner. In both the Poetic Edda and the Prose Edda, Gerðr is described as the daughter of Gymir and the jötunn Aurboða. (Full article...)Did you know? -
- ... that Reeri Yakseya, who is believed to be the most cruel and powerful demon in Sinhalese folklore, can assume 18 different apparitions?
- ... that in Inuit mythology, an Angakkuq, or shaman, is told to be able to fly with the assistance of a spirit companion, or tuurngaq?
- ... that the cult of Kukulkan, the Yucatec Maya feathered serpent deity, was the first Mesoamerican religion to transcend earlier linguistic and ethnic divisions?
- ...that in Greek mythology, Arion (or Areion) was an extremely swift immortal horse that could talk?
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Sharabha (Sanskrit: शरभ, Śarabha) or Sarabha is an eight-legged part-lion and part-bird deity in Hindu religion, who is described as more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump in Sanskrit literature. In later literature, Sharabha is described as an eight-legged deer.
The Shaiva scriptures narrate that the deity Shiva assumed the form of Sharabha to pacify Narasimha - the fierce man-lion avatar of Vishnu worshipped by the Vaishnava sect. This form is popularly known as Sharabheshvara ("Lord Sharabha") or Sharabheshvaramurti. Vaishnavas refute the portrayal of Narasimha as being destroyed by Shiva-Sharabha, and regard Sharabha as a name of Vishnu. Some Vaishnava scriptures such as the Narasimha Purana suggest that Vishnu assumed the form of the ferocious two-headed bird Gandabherunda, who in turn defeated Sharabha. (Full article...)General images
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